Theatrhythm is one of the most exciting things to happen to Final Fantasy or rhythm games in the past several years. It was the sort of idea that I could imagine throwing around with friends and never expecting to be made, but here it is. I loved Theatrhythm, and even dabbled in some DLC on my mobile phone, so I was again surprised and excited to see that it had done well enough to warrant a sequel of sorts.
Curtain Call brings more of the same, or rather, a whole lot more. There are some great additions to the music roster, which boasts over 210 songs, and a lot more to see and do, so check out my brief review below. Continue reading Review: Theatrhythm Final Fantasy: Curtain Call and Remix Selections
Hideki Sakamoto hasn’t been in games that long, but he quickly became one of my favorite composers with his work on the Yakuza series, Echochrome, Toukiden, and a number of other titles that are obscure outside of Japan. His knack for memorable melodies paired with his use of live instruments and high production values is a perfect combination, and it’s for this reason that I’ve eagerly looked forward to his various arrangement projects, from his Hideki Sakamoto Orchestral Works featuring a full orchestra to TEKARU, his rock band that tackles many of his game themes. Now we get a more intimate trio approach, and like his other projects, it doesn’t disappoint.
Read more below. Continue reading Review: Hideki Sakamoto Trio
Fans of SuperSweep head and Scarlet Moon Artists composer Shinji Hosoe may consider looking into last year’s release of the Dragon Saber soundtrack from SuperSweep Records. Following in the style of his more widely known Dragon Spirit soundtrack, Dragon Saber is also one of his earlier works, containing a mix of fantasy and epic shmup soundscapes.
Those who know his work on Dragon Spirit will be right at home with the energetic and upbeat 80s synth work along with the dark and ominous atmospheres that dominate the later areas in the game. With a gritty rock-based final battle theme, a funky piece to accompany the continue screen, and pop to go with the name entry screen, the score is classic Hosoe. The second disc includes selections from the Dragon Spirit soundtrack recreated using the Dragon Saber sound chip. There are also guest arrangements by SuperSweep’s Yousuke Yasui with a bumping retro sound, and by Ancient Corp’s Yuzo Koshiro with powerful electronics and classy brass.
The album also includes artwork from the series and comments in the booklet. It’s currently available on CD Japan.
The music box, or orgel as it’s known in Japan, is quite a lovely sound. While I’ve always appreciated the chromatic tones, I’ve to this day not fully understood just why it’s so popular in Japan, but I’ve tended not to question it as many of favorite game soundtracks have benefited from a music box arrangement now and then.
This album continues that tradition, as was given away as a pre-order bonus for a Final Fantasy XI collection in Japan. So how does Final Fantasy XI’s music transition into the orgel format? Find out below. Continue reading Review: Final Fantasy XI Musicbox Adventures