Basiscape’s epic CARAVAN STORIES continues with Volume 4, this time dedicated to the dwarves. As such, expect lots of warmer sounds and reverberating cavern-esque soundscapes compared to past volumes. It begins with prancing bagpipes and mechanical clicks and whirs in “Baldu Pipe Town,” the soothing and mysterious woodwinds and piano of “Billibino Pumpland -Nightscape-,” and the energetic galloping battle tune with chugging bass and fluttering woodwinds in “Dynamic Ingenuity.” There’s ominous and dank with glitchy xylophone in “Arlosa Mine,” an explosive orchestral battle track with “Duel Battle -PV Version-,” a twangy Western vibe in “Start of Hunting Season,” and folksy fiddle, bass, and hand percussion in “Mad Cow Brewery.” The vocal theme comes as a full on death metal track with chugging guitars, explosive bass drum, and screaming vocals titled “Markings of a Lifetime,” which comes as quite a surprise. The album closes with the adventurous “Ghelbours Foothills” and its spookier nighttime counterpart, and the CARAVAN STORIES main theme with added mischief in the rolling guitars and strailing strings.
Basiscape’s massive score to the mobile RPG Caravan Stories continues into Volume 3, which focuses on the orcs. You’ll find lots of tribal percussion, big brass, sweeping strings, and ominous soundscapes throughout, starting with the exotic and swaying “Garhudom Woodland,” and healing and folksy “Western Dogaa,” and the galloping Panzer Dragoon-esque “Muddy Warrior.” There’s the customary vocal pop song, “Oh, A World Nearby?,” the unsettling and buzzing “Fort Dogaa,” the regal “Audience,” and the rolling marimba and flying strings of “Kuaranii Cascades.” The angelic pads and layered shamisen of “Pyramid of the Moon” exude mystery, the droning pads and quirky electronic sounds of “Urdon Fungal Jungle” are ominous and foreign, and the spooky voices and rattling in the distance in “Deep Grief” are unsettling. It all ends with the grandiose Sakimoto-esque main theme with huge strings, brass, and percussion.
Basiscape has reawakened with eight volumes of music from the mobile/PC MMORPG CARVAN STORIES set to release between now and the beginning of 2019. The first volume established a whimsical fantasy atmosphere, and Vol. 2 continues on with music focused on the human areas of the game.
It all begins with a reprise of the lovely main theme with “Caravan Trip -Nightscape-,” a sweet and angelic spin with piano, bells, and woodwinds. There’s the energetic and uplifting battle theme, “The Method of Fighting,” the dreamy guitars, tribal percussion, layered brass, and soothing wildness of “Eastern Part of Denon Hill,” and the epic and grandiose “Mauriana Region” with romantic string work and folksy banjo (there’s also a twinkly sleep version). “The Light for Valmuer Street” comes as a male vocal ballad with a Spanish flair, “Waterling Main Road” sways in a grand and contemplative manner with snapping percussion, and “Scott Battlefield” is both mysterious and determined with pizzicato strings and competing time signatures. Rounding out the album is the bubbly and folksy “Reuben” with acoustic guitar, hand percussion, and Celtic instruments.
Grab CARAVAN STORIES Original Soundtrack Vol. 2 on Amazon to get the latest goodness from Basiscape.
It’s been some time since Hitoshi Sakimoto’s Basiscape Records released anything, but that drought has just come to an end. The Basiscape team has scored the massive anime MMORPG Caravan Stories for PC and mobile, and will be releasing the soundtrack over eight separate volumes between now and January 2019. The first volume includes over an hour of music and is available in digital and physical formats.
Fans will enjoy the folksy and playful fantasy style of the score, particularly the opening “Iyarr Ancestral Song” with its melancholy woodwinds, acoustic guitar, and female vocals. There’s an energetic battle theme that has a lot of fun with the classic JRPG formula in the equally-fun titled “Outpouring of Armaments,” a trippy and cool fanfare with “Victory in Battle,” and the playful and Sakimoto-esque “Iyarr’s Narrator.” Rounding out the album are the grandiose strings and percussion in typical Sakimoto fashion with “Caravan Stories” and a lovely upbeat pop ballad including vocals with “Longing.”
There’s great music to be had by the Basiscape team with seven more volumes to come. Grab Caravan Stories Original Soundtrack Vol. 1 on iTunes.
Final Fantasy XII didn’t get a fair shake when it was first released. Yes, the development was quite an ordeal and the game took a few hits as a result, but Final Fantasy XII was a pioneer in many ways, including with its grandiose orchestral soundtrack by Hitoshi Sakimoto. With the HD remake, dubbed The Zodiac Age, the entire score was re-recorded with the Video Game Orchestra, bringing all the music to life with live performances in addition to new original tracks just for the re-release, totaling a massive 102 tracks and clocking in at nearly six hours. Fans of Final Fantasy and especially Final Fantasy XII will want to give it a listen, and those who pick up the limited edition version also get an arrangement album by the team at Basiscape.
Those who’ve never heard the soundtrack before are in for a real treat right out of the gate with Sakimoto’s signature spin on the Final Fantasy theme, followed by the explosive “Boss Battle” theme and the sweeping fan-favorites “The Dalmasca Eastersand” and “Giza Plains.” “On the Riverbank” is adventurous yet sweet, “Eruyt Village” is soothing and full of mystery with its strings and woodwinds. There are other Sakimoto takes on Final Fantasy classicss such as the chocobo and Gilgamesh’s themes, exotic woodwinds in the desert-esque “The Stilshrine of Miriam,” and tribal percussion and beautiful piano and choir in “The Salikawood.” Rounding out some key themes that listeners will want to check out are “The Final Act” with its tense and decisive sound reminiscent of Final Fantasy Tactics, “Struggle for Freedom,” a new piece that is absolutely terrifying, and “The Zodiac Age,” a lovely cinematic piece. And don’t forget the beautiful harp-laden “Game Over,” which you’ll be hearing a lot!
As mentioned, the limited edition comes with a CD of arrangements, which includes a music box/dance hybrid of “The Zodiac Age” by Sakimoto himself, exotic bagpipes and woodwinds on “The Dalmascan Eastersand,” and an excellent piano solo of “The Barheim Passage.”
The limited edition is still available on CD Japan and belongs in every Final Fantasy fan’s collection.
Many fans were looking forward to getting the Protect Me Knight 2 (Gotta Protectors) soundtrack, and after SuperSweep released a collection of music from the game dubbed Volume 1, it was only a matter of time before Volume 2 surfaced.
This album is best thought of as an accompaniment album with alternate versions of many of the songs. You’ll find the adventurous beat-’em-up main theme, militaristic marches, comical battle themes, spooky atmospheres, and tons of tunes to pump you up courtesy of Yuzo Koshiro and the SuperSweep sound team. Included are up-tempo versions, long versions, then a smattering of FM (most of disc 1), MKIII, Famicom, Game Boy, and OPN versions of various themes from the game. There’s also a full production remix that brings in a cheesy big band and male vocals sounding like something from a variety show.
It’s available at CD Japan if you want to give it a spin.
SuperSweep is at it again, publishing obscure music that you won’t hear anywhere else. This time it’s the PlayStation Vita title, Omega Labyrinth featuring Daisuke Nakajima as the primary composer with a number of vocal anime-style themes thrown into the mix. The game itself is a challenging roguelike dungeon crawler with a story centered around the protagonist seeking out a grail in order to request a wish to increase her breast size.
In terms of the music, it follows the upbeat anime formula. The opening vocal theme, “Brave Heart,” offers sticky sweep pop rock with female vocals that are silly and energetic, followed by another vocal track that is more acoustic and folksy in nature. There’s everything here from cool ninja rock with shakuhachi and shamisen to classic J-rock with impressive guitar solos. You’ll find the usual suspects for this type of game: tense dungeons, epic boss battles with explosive rock, and a lovely sweeping orchestral pop tune to close out the game.
The album is available at CD Japan if you’re interested.
SuperSweep Records is at it again, bringing music you wouldn’t expect out on CD with the release of the soundtracks to the PlayStation Vita games Bullet Girls 1&2. The album features an eclectic selection of electronic, orchestral, and pop music composed by Masanori Hikichi, including the catchy J-rock title themes, “Faith” (Bullet Girls 1) and “One’s Bullet” (Bullet Girls 2), both featuring vocalist Tifan.
Between military marches, smooth synth pop, funk, and pop rock, there’s something for everyone with this release. There’s sweeping orchestral, spooky trip hop, and even dance music. It’s all wonderfully produced, and even some of the darker tracks maintain an upbeat atmosphere. They also include a number of jingles from the game and the instrumental versions of the vocal tracks.
Bullet Girls 1&2 Soundtrack can be imported from CD Japan if you’re interested.
It’s been awhile since Hitoshi Sakimoto’s Basicape Records put out some music. The tail end of 2016 saw the release of the soundtrack to the PC game Oh! Samurai Girls! A Music Collection with the return of composer Azusa Chiba and Yoshimi Kudo to follow up 2012’s “S” collection. You’re in for an eclectic winter-flavored soundtrack with strong Japanese influences.
From the sweet and magical opener to the mix of upbeat and playful to funky and cool tracks that follow, there’s something here for everyone. There’s epic orchestra, tender ballads, swaggering jazz, ninja rock, and even an appearance by J.S. Bach with a Christmas version of “Jesu, Joy of Man’s Desiring.” There are breakbeats, lullabies, and crashing metal along with traditional Japanese instruments, exotic desert music, and even folk. The album closes it with a series of heavy metal tracks complete with chugging bass and wailing guitars.
The two-disc album can be picked up on CD Japan if you’re interested.
This one may have slid by your radar earlier this year, but you’ll want to check it out. SuperSweep Records looks back at this PlayStation 3 and PlayStation Vita title offering a cool blend of electronic music with traditional Japanese instruments by Patapon and LocoRoco composer Kemmei Adachi.
You’re in store for some really amazing atmospheres, starting out of the gate with the opening track, which features pumping electronics and the addition of Japanese koto, shakuhachi, and vocals. There’s plenty of funk throughout, tense stealth espionage cues, a hauntingly beautiful ambient piece with sound effects and siren-like female vocals, a lounge track with flamenco-like guitar and koto, what I’m calling ninja dance music with bumpin’ bass, crunchy and glitchy electronic offerings, and an amazing 90s dance track that will get the nostalgia flowing.
Pick Ukiyo no Shishi/Ukiyo no Roushi up on CD Japan if you want to try something different. There’s not a whole lot of music like this out there.