I had the opportunity to review the original Diablo III soundtrack, and I noted that while it was great in its own right, it didn’t feel like it belonged to the Diablo universe. More so, it felt like the world of Diablo told through the musical stylings of World of Warcraft. Diablo III: Repear of Souls takes a different direction, with composer Derek Duke acting as audio lead, allowing for a new soundscape to unfold.
Does this change have a lasting impact on the score? Read our full review below. Continue reading Review: Diablo III: Reaper of Souls
Nippon Ichi Software’s Tenpei Sato returns with another zany RPG score in line with a lot of his past works. This time, we get a playfully dark atmosphere with a strong western vibe that goes quite well together. There are two discs to dig into if you managed to pick up the limited edition, and a single disc sampler if you grab the standard edition on the NISA store.
What drew my attention to the score initially was a contribution by NieR vocalist Emi Evans. Does her track and the rest make for a memorable experience? Read more below. Continue reading Review: The Witch and the Hundred Knight
After Masashi Hamauzu’s abrupt departure from Square Enix following the completion of the Final Fantasy XIII soundtrack, Hamauzu’s name has popped up through his unique music duo, IMERUAT, and for various arrangements he’s done in the videogame industry. This album, however, marks his first solo effort since that time, taking a nod from his past SaGa Frontier piano album and Vielen Dank to bring together a collection of short piano pieces.
Read our impressions below. Continue reading Review: M. Hamauzu Piano Works
The Sengoku Basara series has generally been known to have great music. I’ve enjoyed my fair share of the powerful orchestral pieces and eclectic mix presented through the character themes, and it certainly didn’t hurt to have Shadow of the Colossus composer Ko Otani working alongside T’s Music and the rest of the large music team for Sengoku Basara 3.
Does Sengoku Basara 4 live up to the musical history of the franchise? Find out below. Continue reading Review: Sengoku Basara 4 Original Soundtrack
I think most people will agree that Yoko Shimomura’s drammatica album was fantastic, and Square Enix has hinted at wanting to create a follow-up. When memoria! was announced, I hadn’t actually realized this was that follow-up, instead thinking it was a best of collection. However, you’ll be pleased to know that the music gets the full treatment in terms of arrangement for orchestra, piano, and live band.
It’s an eclectic mix with something for everyone. Find out what’s inside below. Continue reading Review: memória! / The Very Best of Yoko Shimomura
Here’s another taste of Taito after the review of Darius II earlier this week.
Bubble Bobble is easily one of my favorite games on the NES. An emphasis on food, secret levels, a drunken last boss, and of course, bubbles make it one of the most memorable NES games in my mind, so the music evokes a certain sense of nostalgia in me.
Taito has released the arcade soundtrack as well as that of Bubble Memories on iTunes Japan, so I thought it would be a good time to jump back into my youth and given them a listen. Continue reading Review: Bubble Bobble and Bubble Memories Original Soundtracks
Taito’s Hisayoshi “OGR” Ogura did quite a job on the Darius series. The quirky shooter title has some equally interesting music, and this version stands out even further as the Mega Drive version, so get ready for some tasty FM synthesis in our review below. Continue reading Review: DARIUS II ORIGINAL SOUNDTRACK -MD ver.-
I’m a huge fan of MagicalTimeBean. SoulCaster and Escape Goat have been a lot of fun both in gameplay and music. What used to be a one man show with Ian Stocker expanded this time around, but he still handles the majority of the soundtrack, with one appearance by Disasterpeace.
Does the Escape Goat 2 get the nostalgia flowing like past MagicalTimeBean titles have? Find out below. Continue reading Review: Escape Goat 2 Original Soundtrack
I love IMERUAT. For the uninitiated, IMERUAT is a duo comprised of Masashi Hamauzu and vocalist Mina, who banded together after Hamauzu’s departure from Square Enix upon completing Final Fantasy XIII. The band combines Hamauzu’s signature compositions, heavy with piano and electronic soundscapes, with Mina’s whimsical singing style, and the result is nothing less of superb.
After an incredible debut with Black Ocean in 2012, Propelled Life comes as six-track EP, giving fans a much-needed fix of some IMERUAT goodness. But more about that below. Continue reading Review and Unboxing: IMERUAT’s Propelled LIfe
While I never really got into Drakengard, NieR has made me a fan of the universe forever. I actually enjoyed the music from the first two Drakengard titles despite not having played them at length, so when Drag-On Chips Music was announced to commemorate ten years of the franchise, I had to have it.
So, how does the chopped up classical soundtrack to Drag-On Dragoon crossover into the 8-bit universe? And is NieR as beautiful in wave form? Find out below. Continue reading Review: Drag-On Dragoon Chips Music