As a huge fan of SoundTeMP’s work on Ragnarok Online and the varied contributors to Granado Espada, I’ve had my eye on Tree of Savior for a long time. From IMC Games, it’s been touted as the spiritual successor to Ragnarok Onliine, which is apparent in the visual presentation and the musical talent assembled for the game. It features audio lead Sevin (S.F.A) along with new contributions from SoundTeMP and Questrosound (aka Nikacha, formerly of SoundTeMP), and artist Kevin. In all, the music is amazingly well-produced, and I’d describe it as a happy medium between the poppy sound of Ragnarok Online and the classical/trance sounds of Granado Espada. There are many great moments throughout, and I’m definitely curious to hear this music in the context of the game.
It all starts with the Celtic-inspired main theme, “Tree of Savior,” which also gets a piano and live version on the album. Some of my favorite contributions include S.F.A’s “Due Solo” which combines orchestral and electronic elements into a classy and somewhat desperate soundscape, Questrosound’s “Forest of Shadows” with its dangerously dark strings and funky bass line, and SoundTeMP’s “Red and the Sun” with its gothic rock elements that makes it feel like a poppy version of Castlevania. There’s also Questrosound’s “Moonlight Walk” with its huge strings and brass that make it epic yet cool, SoundTeMP’s “Topaz” with its slow somber take on trance (one of my favorites on the album), and S.F.A’s “Pristinee” that stands out for its melancholy female vocals added to an electronic backing. SoundTeMP’s interestingly-named “Woman Peeling Potatoes” is the most metal of the tracks, with a great galloping rhythm, and their nine-minute-long “Angelus” features spooky electronics and piano. Finally, S.F.A’s grungy rock “Tori March” closes out with attitude.
Many of the other tracks here are equally brilliant, but I don’t want to spoil all of it. The set spans two discs, containing 33 tracks, and comes housed in a nice DVD-sized package with a magnetic latch to keep it closed. Unfortunately it’s only been distributed as a promotional item at events in Korea, but I imagine the music will make its way out into the world someday, and given that this is Volume 1, I’m sure there will be more. In the meantime, head over to the SoundCloud channels for both DESTRUCTOID and GamesRadar for some exclusive samples.