Tag Archives: Atmospheric

Review: MOBIUS FINAL FANTASY Original Soundtrack

Mitsuto Suzuki was known mainly as an audio programmer, solo artist, and arranger until he broke out into composing with The 3rd Birthday and later, Final Fantasy XIII-2 and Lightning Returns. We discussed his work on the SCHOOLGIRL STRIKERS last year. There’s been a lot of anticipation for his full-length score for MOBIUS FINAL FANTASY, and it’s finally here.

Fans of his work on Final Fantasy will be pleased. There’s a nice blend of atmospheric textures and orchestra. There are several Final Fantasy references as well, which are tastefully done. In fact, Suzuki provides some of the most refreshing takes on both the “Final Fantasy” theme and “The Prelude” by using fragments of the themes alongside his ethereal blend of choir and pads that makes for a wonderful listening experience. Chocobo makes an appearance with the vocaloid “Chocobattle!”, and there’s also a metal battle theme that heavily references “Battle Scene” from the original Final Fantasy (very cool!). Finally, there’s a new spin on the Final Fantasy VI battle theme with some metal layered over the top of the original recording.

His bombastic “Legend – Mobius Final Fantasy” blends filtered guitars and bombastic orchestra and choir into a powerful theme, while “Wol’s Theme – The Journey Begins,” is sweet and catchy. This theme is featured many times throughout the score to great effect, with relaxing, tropical, and the upbeat, funky, and pop-oriented main version being featured throughout. “Dancing Edge” is a super cool dubstep-infused track brimming with positive energy, “The Forsaken World” works in ethereal pads and piano/acoustic guitar in an unsettling combination, and “Attack Ignition” is a heavy dancefloor tune. “The Rune Crystal” layers pads and bells in a beautiful and otherworldly fashion, “Sarah’s Theme” brings in sweeping orchestra and choir, and “Lightway” introduces massive pads and a spacey melody. “Among the Musty” sports hauntingly beautiful guitar work, “Just Desserts – Second Helping” is a super energetic orchestral track featuring snippets of the Final Fantasy theme, and “Infinite Arena” is an upbeat rock track with that feels like Final Fantasy battle themes of old, while “Echo’s Theme” features mischievous chattering, a sweet and innocent piano melody, and la-la choir. Coming to the end, “The Last Stand” sports epic choir and orchestra and the sound of machinery chugging, “The Azure Witch” gets cool piano and pads with rapid piano playing, and the closing “Palamecia Breeze” brings in harp runs from “The Prelude” behind a beautiful piano and pads melody, and is absolutely gorgeous.

Fans of Mitsuto Suzuki should be pleased with more of his unique sound. The two-disc album is available on CD Japan.

Review: Schoolgirl Strikers Original Soundtrack

What an unexpected surprise! Square Enix put out this unassuming soundtrack to their recent iOS/Android title, School Strikers, with music by Mitsuto Suzuki and Kengo Tokusashi. Upbeat melodies, great electronic atmospheres, and some great productive values all make this an enjoyable and surprising listening experience.

Let’s jump in! Continue reading Review: Schoolgirl Strikers Original Soundtrack

Review: Bayonetta 2 Original Soundtrack

Listening to a Bayonetta soundtrack is always a huge undertaking. The first game’s soundtrack was five discs, and not to be outdone, Bayonetta 2 also clocks in at five. Still, much with the games, there’s a lot of quirkiness and charm found within the eclectic mix of electronic, orchestral, and jazz themes presented.

To go along with this large collection of music, there’s also a number of contributing composers from Platinum games and elsewhere who make this soundtrack what it is.

Does the Bayonetta 2 soundtrack surpass the first game’s effort? Read more below. Continue reading Review: Bayonetta 2 Original Soundtrack

Review: Dark Souls II Original Soundtrack

A lot of people were surprised to see Motoi Sakuraba take the helm of the Dark Souls series after Shinsuke Kida’s powerful score to Demon’s Souls. Would he take the franchise in a more progressive rock direction that he is known for, or stay true to the epic orchestral stylings that Kida established in Demon’s Souls?

I was personally surprised and delighted to see him take the latter approach. The Dark Souls soundtrack had a lot of standout music, and I was wondering if he could pull off a repeat with Dark Souls II.

The soundtrack album was included with limited edition versions of the game, so fortunately it’s pretty easy to find out! Continue reading Review: Dark Souls II Original Soundtrack

Review: Diablo III: Reaper of Souls

I had the opportunity to review the original Diablo III soundtrack, and I noted that while it was great in its own right, it didn’t feel like it belonged to the Diablo universe. More so, it felt like the world of Diablo told through the musical stylings of World of Warcraft. Diablo III: Repear of Souls takes a different direction, with composer Derek Duke acting as audio lead, allowing for a new soundscape to unfold.

Does this change have a lasting impact on the score? Read our full review below. Continue reading Review: Diablo III: Reaper of Souls

Silent Horror Original Soundtrack by Dale North (SMRC-1005)

After our inaugural release, Dragon Fantasy Book II OST by Dale North, he’s back with more, this time with his much-requested soundtrack to the 2005 X-Strike Studios film, Silent Horror. As the name would suggest, the film pays tribute to popular survival horror videogames, and while North was known primarily for his pop ballads and vocal arrangements of videogame classics at the time, the Silent Horror Original Soundtrack captures the essence of horror with its dark atmospheres and unsettling soundscapes. North’s knack for melody also shines throughout the score’s emotional character themes.

The soundtrack and a remix by long-time friend and producer Mustin are now available on iTunes and Amazon MP3, as well as on Loudr and Bandcamp for just $7 USD.

Click below to hear the main theme. Continue reading Silent Horror Original Soundtrack by Dale North (SMRC-1005)