Basiscape’s epic CARAVAN STORIES continues with Volume 4, this time dedicated to the dwarves. As such, expect lots of warmer sounds and reverberating cavern-esque soundscapes compared to past volumes. It begins with prancing bagpipes and mechanical clicks and whirs in “Baldu Pipe Town,” the soothing and mysterious woodwinds and piano of “Billibino Pumpland -Nightscape-,” and the energetic galloping battle tune with chugging bass and fluttering woodwinds in “Dynamic Ingenuity.” There’s ominous and dank with glitchy xylophone in “Arlosa Mine,” an explosive orchestral battle track with “Duel Battle -PV Version-,” a twangy Western vibe in “Start of Hunting Season,” and folksy fiddle, bass, and hand percussion in “Mad Cow Brewery.” The vocal theme comes as a full on death metal track with chugging guitars, explosive bass drum, and screaming vocals titled “Markings of a Lifetime,” which comes as quite a surprise. The album closes with the adventurous “Ghelbours Foothills” and its spookier nighttime counterpart, and the CARAVAN STORIES main theme with added mischief in the rolling guitars and strailing strings.
Basiscape’s massive score to the mobile RPG Caravan Stories continues into Volume 3, which focuses on the orcs. You’ll find lots of tribal percussion, big brass, sweeping strings, and ominous soundscapes throughout, starting with the exotic and swaying “Garhudom Woodland,” and healing and folksy “Western Dogaa,” and the galloping Panzer Dragoon-esque “Muddy Warrior.” There’s the customary vocal pop song, “Oh, A World Nearby?,” the unsettling and buzzing “Fort Dogaa,” the regal “Audience,” and the rolling marimba and flying strings of “Kuaranii Cascades.” The angelic pads and layered shamisen of “Pyramid of the Moon” exude mystery, the droning pads and quirky electronic sounds of “Urdon Fungal Jungle” are ominous and foreign, and the spooky voices and rattling in the distance in “Deep Grief” are unsettling. It all ends with the grandiose Sakimoto-esque main theme with huge strings, brass, and percussion.
Basiscape has reawakened with eight volumes of music from the mobile/PC MMORPG CARVAN STORIES set to release between now and the beginning of 2019. The first volume established a whimsical fantasy atmosphere, and Vol. 2 continues on with music focused on the human areas of the game.
It all begins with a reprise of the lovely main theme with “Caravan Trip -Nightscape-,” a sweet and angelic spin with piano, bells, and woodwinds. There’s the energetic and uplifting battle theme, “The Method of Fighting,” the dreamy guitars, tribal percussion, layered brass, and soothing wildness of “Eastern Part of Denon Hill,” and the epic and grandiose “Mauriana Region” with romantic string work and folksy banjo (there’s also a twinkly sleep version). “The Light for Valmuer Street” comes as a male vocal ballad with a Spanish flair, “Waterling Main Road” sways in a grand and contemplative manner with snapping percussion, and “Scott Battlefield” is both mysterious and determined with pizzicato strings and competing time signatures. Rounding out the album is the bubbly and folksy “Reuben” with acoustic guitar, hand percussion, and Celtic instruments.
Grab CARAVAN STORIES Original Soundtrack Vol. 2 on Amazon to get the latest goodness from Basiscape.
It’s been some time since Hitoshi Sakimoto’s Basiscape Records released anything, but that drought has just come to an end. The Basiscape team has scored the massive anime MMORPG Caravan Stories for PC and mobile, and will be releasing the soundtrack over eight separate volumes between now and January 2019. The first volume includes over an hour of music and is available in digital and physical formats.
Fans will enjoy the folksy and playful fantasy style of the score, particularly the opening “Iyarr Ancestral Song” with its melancholy woodwinds, acoustic guitar, and female vocals. There’s an energetic battle theme that has a lot of fun with the classic JRPG formula in the equally-fun titled “Outpouring of Armaments,” a trippy and cool fanfare with “Victory in Battle,” and the playful and Sakimoto-esque “Iyarr’s Narrator.” Rounding out the album are the grandiose strings and percussion in typical Sakimoto fashion with “Caravan Stories” and a lovely upbeat pop ballad including vocals with “Longing.”
There’s great music to be had by the Basiscape team with seven more volumes to come. Grab Caravan Stories Original Soundtrack Vol. 1 on iTunes.
It’s been awhile since Hitoshi Sakimoto’s Basicape Records put out some music. The tail end of 2016 saw the release of the soundtrack to the PC game Oh! Samurai Girls! A Music Collection with the return of composer Azusa Chiba and Yoshimi Kudo to follow up 2012’s “S” collection. You’re in for an eclectic winter-flavored soundtrack with strong Japanese influences.
From the sweet and magical opener to the mix of upbeat and playful to funky and cool tracks that follow, there’s something here for everyone. There’s epic orchestra, tender ballads, swaggering jazz, ninja rock, and even an appearance by J.S. Bach with a Christmas version of “Jesu, Joy of Man’s Desiring.” There are breakbeats, lullabies, and crashing metal along with traditional Japanese instruments, exotic desert music, and even folk. The album closes it with a series of heavy metal tracks complete with chugging bass and wailing guitars.
The two-disc album can be picked up on CD Japan if you’re interested.
Basiscape Records has released the soundtrack to the fifth game in the Metal Max series titled Metal Saga: The Ark of Wastes (Metal Saga: Kouya no Hakobune in Japan). The Android/iOS title once again features RPG combat on foot or via vehicles, and Basiscape composer Yoshimi Kudo (Tekken 6, Muramasa, Odin Sphere: Leifthrasir) provides an impressive metal-infused orchestral score. It’s always surprising just how well the team at Basiscape can incorporate Hitoshi Sakimoto’s signature sound into their work, so fans of his should also be pleased with this soundtrack.
The opening track, “Crack down!,” is pure metal with high productions values and English vocals. From there, “Mortal Engines” brings big brass and percussion to this upbeat Sakimoto-esque march, “Workaholics Jam” sports funky bass and rock organ, and “The Earth and the Wind” features a gritty Western sound with twangy electric guitar. Theres the playful “March of 65536 Steps” which incorporates Celtic instruments, “No Bullets, No Life” which is a cool spin on electronic-infused metal, and “Rhythm Show,” a loungy funk tune. There are ethereal pads in “Into the Silence,” drum ‘n’ bass in “On the Edge,” playful and silly dubstep in “Elegant Resuscitated Person’s Dance,” and industrial glitch rock in “Bolt and Nut Girl.” Finally, there’s the desperate “Moment of Truth,” the cheery electric pop tune, “Don’t Stop the Heartbeat,” the smooth electronic “Fragment 2 Fragment,” the explosive electronic “Giant Killer” with its massive choir and tension, and the upbeat and funky “Yesterday’s Friend is Today’s Enemy” with its lightning-fast rock.
In all, Metal Saga: The Ark of Wastes offers an eclectic mix of songs, but it’s all well produced and shows of Kudo’s versatility and talent. Pick it up at CD Japan if you’re interested.
Do you love Muramasa? The game is gorgeous, and the soundtrack by Basiscape has also received high praise. Muramasa has seen several album releases with a soundtrack and arrange album to date, but this latest collection from Basiscape Records brings together new music created for the PlayStation Vita port Muramasa Rebirth DLC packs, composed by the Basiscape team.
Fans of the original score should feel right at home. Lots of beautifully-layered Japanese instruments abounds, complete with rock and orchestral backings as appropriate. The opener, “Strike the Four Strings,” features studio head Hitoshi Sakimoto’s memorable theme and other standouts include the contemplative and sweeping “Mountains and Rivers,” the decisive orchestral piece “Perseverance,” and healing “High-Rise Buildings,” the lovely vocal theme with piano accompaniment titled “Rice Flower,” the gorgeously flowing strings of “Astonishing Sight,” the cool jazz fusion of “Solid Fortress,” the super serious espionage-esque “Pursuit,” the pop-tinged “External Traveller,” and the mischievous “Extraordinary Talent.”
While the physical two-disc set is available in Japan and is covered in artwork by Vanillaware, the album is available on the iTunes US store if you’re interested.