Basiscape is back with Volume 6 of their epic mobile RPG soundtrack to CARAVAN STORIES, with this volume dedicated to the oceanic Gessy folk. Expect beautiful waterscapes and a touch of the exotic. It all begins with angelic pads, woodwinds, and marimba in a serene opener before moving on to everything from dancing marimba and playful energy in “Temple of Pakama” and chaotic dancing accordion in “Laurara’s Dance” to watery crystalline bells and glassy pads in “Narupopo Fruit Garden -Nightscape-” and bubbly and uplifting in “Chaktek Great Rift Valley.”
The highlight of the album is easily the vocal theme, “Coraggioso! Coraggiosamente!,” a male operatic piece that is energetic and a lot of fun, giving “Maria and Draco” a run for its money. The album continues with the familiar “Iyarr’s Narrator” which is warm and full of mystery, a touch of the series main theme with whistling, twangy guitars, and bagpipes in “Caravan Trip -South-,” dangerous didgeridoo and exotic woodwinds in “A Wild Kid in a Great Island,” and intense ninja-flavored action with chugging shamisen and explosive percussion in “Sword Fight.”
CARAVAN STORIES Original Soundtrack Vol. 6 is another great addition to the series which will wrap up after Volume 8. Grab it on CD Japan if you want the physical edition or on iTunes from mostly anywhere.
Basiscape launches into the second half of their gargantuan CARAVAN STORIES soundtrack with Volume 5, this time focusing on the elves. As you’d expect, there’s a majestic and jovial character to the album, making for some of the best listening so far. It begins with upbeat and jazzy piano that will have you tapping your feet in “Luwiera’s Forest,” dreamy female vocals and running piano, acoustic guitar, and ethereal pads in “Iyarr Ancestral Song,” and harp and pizzicato strings accented by Hamauzu-esque piano and strings in “Luwiera Town.” There’s the dance-y piano lines and female vocal snippets of “The Sword of Aurous,” the beautiful yet dangerous electronic-infused “Lappi Mine,” and the angelic and triumphant “Aleia” with regal strings and harpsichord. This volume’s vocal theme comes as a male vocal ballad with acoustic guitar that has a surprise ending. There’s tense and ominous in the extremely dissonant “Dark Corridor,” mesmerizing repetitive piano runs and strings that slowly build in “Tenement of the Blue Spirit,” and descending harp and hissing percussion in the desolate and dark landscape of “Wolven Cape Rovanier.” The main theme takes us out with a whimsical opening and lovely piano and woodwinds at the end.
Volume 5 may be my favorite yet. You can grab the physical CD on CD Japan or the digital release on iTunes worldwide.
Basiscape’s epic CARAVAN STORIES continues with Volume 4, this time dedicated to the dwarves. As such, expect lots of warmer sounds and reverberating cavern-esque soundscapes compared to past volumes. It begins with prancing bagpipes and mechanical clicks and whirs in “Baldu Pipe Town,” the soothing and mysterious woodwinds and piano of “Billibino Pumpland -Nightscape-,” and the energetic galloping battle tune with chugging bass and fluttering woodwinds in “Dynamic Ingenuity.” There’s ominous and dank with glitchy xylophone in “Arlosa Mine,” an explosive orchestral battle track with “Duel Battle -PV Version-,” a twangy Western vibe in “Start of Hunting Season,” and folksy fiddle, bass, and hand percussion in “Mad Cow Brewery.” The vocal theme comes as a full on death metal track with chugging guitars, explosive bass drum, and screaming vocals titled “Markings of a Lifetime,” which comes as quite a surprise. The album closes with the adventurous “Ghelbours Foothills” and its spookier nighttime counterpart, and the CARAVAN STORIES main theme with added mischief in the rolling guitars and strailing strings.
CARAVAN STORIES Original Soundtrack Vol.4 is available physically from CD Japan and digitally worldwide from iTunes.
Basiscape’s massive score to the mobile RPG Caravan Stories continues into Volume 3, which focuses on the orcs. You’ll find lots of tribal percussion, big brass, sweeping strings, and ominous soundscapes throughout, starting with the exotic and swaying “Garhudom Woodland,” and healing and folksy “Western Dogaa,” and the galloping Panzer Dragoon-esque “Muddy Warrior.” There’s the customary vocal pop song, “Oh, A World Nearby?,” the unsettling and buzzing “Fort Dogaa,” the regal “Audience,” and the rolling marimba and flying strings of “Kuaranii Cascades.” The angelic pads and layered shamisen of “Pyramid of the Moon” exude mystery, the droning pads and quirky electronic sounds of “Urdon Fungal Jungle” are ominous and foreign, and the spooky voices and rattling in the distance in “Deep Grief” are unsettling. It all ends with the grandiose Sakimoto-esque main theme with huge strings, brass, and percussion.
A physical CD can be imported from CD Japan or bought digitally worldwide through iTunes.
Basiscape has reawakened with eight volumes of music from the mobile/PC MMORPG CARVAN STORIES set to release between now and the beginning of 2019. The first volume established a whimsical fantasy atmosphere, and Vol. 2 continues on with music focused on the human areas of the game.
It all begins with a reprise of the lovely main theme with “Caravan Trip -Nightscape-,” a sweet and angelic spin with piano, bells, and woodwinds. There’s the energetic and uplifting battle theme, “The Method of Fighting,” the dreamy guitars, tribal percussion, layered brass, and soothing wildness of “Eastern Part of Denon Hill,” and the epic and grandiose “Mauriana Region” with romantic string work and folksy banjo (there’s also a twinkly sleep version). “The Light for Valmuer Street” comes as a male vocal ballad with a Spanish flair, “Waterling Main Road” sways in a grand and contemplative manner with snapping percussion, and “Scott Battlefield” is both mysterious and determined with pizzicato strings and competing time signatures. Rounding out the album is the bubbly and folksy “Reuben” with acoustic guitar, hand percussion, and Celtic instruments.
Grab CARAVAN STORIES Original Soundtrack Vol. 2 on Amazon to get the latest goodness from Basiscape.
It’s been some time since Hitoshi Sakimoto’s Basiscape Records released anything, but that drought has just come to an end. The Basiscape team has scored the massive anime MMORPG Caravan Stories for PC and mobile, and will be releasing the soundtrack over eight separate volumes between now and January 2019. The first volume includes over an hour of music and is available in digital and physical formats.
Fans will enjoy the folksy and playful fantasy style of the score, particularly the opening “Iyarr Ancestral Song” with its melancholy woodwinds, acoustic guitar, and female vocals. There’s an energetic battle theme that has a lot of fun with the classic JRPG formula in the equally-fun titled “Outpouring of Armaments,” a trippy and cool fanfare with “Victory in Battle,” and the playful and Sakimoto-esque “Iyarr’s Narrator.” Rounding out the album are the grandiose strings and percussion in typical Sakimoto fashion with “Caravan Stories” and a lovely upbeat pop ballad including vocals with “Longing.”
There’s great music to be had by the Basiscape team with seven more volumes to come. Grab Caravan Stories Original Soundtrack Vol. 1 on iTunes.
Final Fantasy XII didn’t get a fair shake when it was first released. Yes, the development was quite an ordeal and the game took a few hits as a result, but Final Fantasy XII was a pioneer in many ways, including with its grandiose orchestral soundtrack by Hitoshi Sakimoto. With the HD remake, dubbed The Zodiac Age, the entire score was re-recorded with the Video Game Orchestra, bringing all the music to life with live performances in addition to new original tracks just for the re-release, totaling a massive 102 tracks and clocking in at nearly six hours. Fans of Final Fantasy and especially Final Fantasy XII will want to give it a listen, and those who pick up the limited edition version also get an arrangement album by the team at Basiscape.
Those who’ve never heard the soundtrack before are in for a real treat right out of the gate with Sakimoto’s signature spin on the Final Fantasy theme, followed by the explosive “Boss Battle” theme and the sweeping fan-favorites “The Dalmasca Eastersand” and “Giza Plains.” “On the Riverbank” is adventurous yet sweet, “Eruyt Village” is soothing and full of mystery with its strings and woodwinds. There are other Sakimoto takes on Final Fantasy classicss such as the chocobo and Gilgamesh’s themes, exotic woodwinds in the desert-esque “The Stilshrine of Miriam,” and tribal percussion and beautiful piano and choir in “The Salikawood.” Rounding out some key themes that listeners will want to check out are “The Final Act” with its tense and decisive sound reminiscent of Final Fantasy Tactics, “Struggle for Freedom,” a new piece that is absolutely terrifying, and “The Zodiac Age,” a lovely cinematic piece. And don’t forget the beautiful harp-laden “Game Over,” which you’ll be hearing a lot!
As mentioned, the limited edition comes with a CD of arrangements, which includes a music box/dance hybrid of “The Zodiac Age” by Sakimoto himself, exotic bagpipes and woodwinds on “The Dalmascan Eastersand,” and an excellent piano solo of “The Barheim Passage.”
The limited edition is still available on CD Japan and belongs in every Final Fantasy fan’s collection.
It’s been awhile since Hitoshi Sakimoto’s Basicape Records put out some music. The tail end of 2016 saw the release of the soundtrack to the PC game Oh! Samurai Girls! A Music Collection with the return of composer Azusa Chiba and Yoshimi Kudo to follow up 2012’s “S” collection. You’re in for an eclectic winter-flavored soundtrack with strong Japanese influences.
From the sweet and magical opener to the mix of upbeat and playful to funky and cool tracks that follow, there’s something here for everyone. There’s epic orchestra, tender ballads, swaggering jazz, ninja rock, and even an appearance by J.S. Bach with a Christmas version of “Jesu, Joy of Man’s Desiring.” There are breakbeats, lullabies, and crashing metal along with traditional Japanese instruments, exotic desert music, and even folk. The album closes it with a series of heavy metal tracks complete with chugging bass and wailing guitars.
The two-disc album can be picked up on CD Japan if you’re interested.
A lot of people had fun messing around with FINAL FANTASY Record Keeper, and I’m sure more than a few dug the arrangements featured throughout and wanted to get their hands on them. Well, Square Enix has you covered with this compilation album featuring a variety of talent mostly from outside Square Enix, who you can learn about on VGMdb.
The arrangements are fairly straightforward, with little twists to fit special holidays or combined into tidy medleys. “Mystic Mysidia -Halloween-,” for example, gives the mischievous tune some mysterious bells and defiant strings in A Nightmare Before Christmas fashion, while jingle bells join the Final Fantasy VII main theme and “Gold Saucer,” making for a jolly Christmas arrangement. “Eyes on Me,” “Celes,” and of course, “Theme of Love” combine for a perfect Valentine’s Day medley, and a lovely sleep-inducing Tanbata (Star Festival) medley features lots of harp and bells to capture that celestial atmosphere.
There are several one-off arrangements, including rockin’ versions of “Battle at the Big Bridge” and “Decisive Battle” from Final Fantasy VI (which features a few other songs as well), a dreamy trance version of “The Man With the Machine Gun,” a bubbly techno-flavored “Vana’diel March,” a wedding organ-infused “Prelude,” and a pumping electronic/rock version of “Blinded by Light” (one of the more complex arrangements by Monster Hunter/Dragon’s Dogma composer Tadayoshi Makino).
While there isn’t a whole lot to sink your teeth into, if you played with the app and want the music, it’s available at CD Japan.
Basiscape Records has released the soundtrack to the fifth game in the Metal Max series titled Metal Saga: The Ark of Wastes (Metal Saga: Kouya no Hakobune in Japan). The Android/iOS title once again features RPG combat on foot or via vehicles, and Basiscape composer Yoshimi Kudo (Tekken 6, Muramasa, Odin Sphere: Leifthrasir) provides an impressive metal-infused orchestral score. It’s always surprising just how well the team at Basiscape can incorporate Hitoshi Sakimoto’s signature sound into their work, so fans of his should also be pleased with this soundtrack.
The opening track, “Crack down!,” is pure metal with high productions values and English vocals. From there, “Mortal Engines” brings big brass and percussion to this upbeat Sakimoto-esque march, “Workaholics Jam” sports funky bass and rock organ, and “The Earth and the Wind” features a gritty Western sound with twangy electric guitar. Theres the playful “March of 65536 Steps” which incorporates Celtic instruments, “No Bullets, No Life” which is a cool spin on electronic-infused metal, and “Rhythm Show,” a loungy funk tune. There are ethereal pads in “Into the Silence,” drum ‘n’ bass in “On the Edge,” playful and silly dubstep in “Elegant Resuscitated Person’s Dance,” and industrial glitch rock in “Bolt and Nut Girl.” Finally, there’s the desperate “Moment of Truth,” the cheery electric pop tune, “Don’t Stop the Heartbeat,” the smooth electronic “Fragment 2 Fragment,” the explosive electronic “Giant Killer” with its massive choir and tension, and the upbeat and funky “Yesterday’s Friend is Today’s Enemy” with its lightning-fast rock.
In all, Metal Saga: The Ark of Wastes offers an eclectic mix of songs, but it’s all well produced and shows of Kudo’s versatility and talent. Pick it up at CD Japan if you’re interested.