Tag Archives: Dark Souls

Review: Dark Souls III Soundtrack

The Dark Souls II soundtrack was one of my favorites of 2014. So I was excited to see Yuka Kitamura and Motoi Sakuraba teaming up once again for the third, and presumably final, installment. Fans of the series should know the drill by now, no music outside of key hub areas and boss battles. That lends to score a pretty action-heavy lean, but the variety of moods presented does prevent much of the fatigue you’d expect.

The opening “Premonition” is rightfully somber and smoldering, giving a hint at what’s ahead. The titular “Dark Souls III” sports foreboding bell tolls and choir before exploding into dark and tragic strings with beautiful harmonies, while “Prologue” brings in the guttural male choir and buzzing strings that have been used throughout he series. Finally, “Firelink Shrine” is bleak and desolate with droning bass, a female choral section, and a soundscape that doesn’t feel at all safe.

As far as the boss themes go (always the highlight), “Iudex Gundyr” doesn’t disappoint with its slow build, powerful strings, rustic harpsichord, and call and response male and female choir. “Vordt of the Boreal Valley” is somewhat of a death march with chugging bass, “Curse -Rotted Greatword-,” is sweeping and frightening with its gurgling choir and sense of corruption, “Crystal Sages” is appropriately wise¬†and methodical, and “Deacons of the Deep” sports a massive and regal organ. There’s the tense and bombastic “Pontiff Sulyvahn,” the beautiful and graceful “Dancer of the Boreal Valley,” the deep brass tones of “Old Demon King,” the small hints of beauty hidden behind a deep brooding male choir in “Oceiros, The Consumed King,” the slow and contemplative “Abyss Watchers,” the wonderful dark waltz of “Yhorm the Giant”, and the epic and tragic “Lorian.” Finally, the grandiose and elegant “Soul of Cinder” sports some references to themes of the past, which is a nice touch, and the ending themes are melancholy and somber, and not at all triumphant.

Fans of Dark Souls music will appreciate this score just as they did the others. While it’s hard to capture the same magic the third time in, Kitamura and Sakuraba have done a fantastic job with this installment, and I’m looking forward to hearing what each of them do next.

The soundtrack was¬†available with pre-order editions of the game, so it may be difficult to find at this point, but I’m sure you can find the soundtrack CD online through various outlets.

Review: Dark Souls II Original Soundtrack

A lot of people were surprised to see Motoi Sakuraba take the helm of the Dark Souls series after Shinsuke Kida’s powerful score to Demon’s Souls. Would he take the franchise in a more progressive rock direction that he is known for, or stay true to the epic orchestral stylings that Kida established in Demon’s Souls?

I was personally surprised and delighted to see him take the latter approach. The Dark Souls soundtrack had a lot of standout music, and I was wondering if he could pull off a repeat with Dark Souls II.

The soundtrack album was included with limited edition versions of the game, so fortunately it’s pretty easy to find out! Continue reading Review: Dark Souls II Original Soundtrack