Tag Archives: FFXIV

Review: THE FAR EDGE OF FATE: FINAL FANTASY XIV Original Soundtrack

We’ve covered a lot of Final Fantasy XIV music here over the years. Each release adds a mountain of new music to the game, and as always, it’s very high quality stuff courtesy of composer Masayoshi Soken. THE FAR EDGE OF FATE comes packed on a Blu-ray disc with tagged MP3 files of the album’s 50 new tracks included. There are also many references to unexpected pieces through Final Fantasy’s storied past that series fans will enjoy.

I can’t touch on all 50 tracks, but some of my favorites include “Down the Up Staircase” withs its sweet harpsichord and swaying strings, “Dancing Calcabrina” from Final Fantasy IV with deep acoustic bass and circus-like synth work, and “Metal – Brute Justice Mode” which comes as a super hero rock/orchestral track with big brass and robotic vocals. There’s the militaristic and decisive march, “Faith in her Fury,” a reprise of the Heavensward theme with the epic and huge “Revenge of the Horde,” and the dreamy trance track “Blackbosom.” The jingly-jangly “No Sound, No Scutter” adds metallic percussion and kazoo to the mix, “The Kiss” is playful with its toy percussion and sweet woodwinds and pizzicato strings, and “Starved” brings grunge rock with electronic whirs in a very cool combination. “The Ancient City” is a somber piano concerto, “Holy Consult” sounds channels its inner Western flick, and “Teardrops in the Rain” sports constant movement and mystery with Final Fantasy IX references. The throwbacks continue with the ominous organ track, “Promises” and “Shadow of the Body,” both of which draw from Final Fantasy IX, and “Battle tot he Death,” a new spin on the Atma weapon battle from Final Fantasy VI. “Rise” sounds like something out of The World Ends With You with its male rapping and hip hop sounds, while “Penultimania” features a dizzying rolling chip line with spacious strings. The album closes with the James Bond-esque “Scale and Steel” with big strings and brass and a heavy sense of intrigue.

In all, Soken does another wonderful job. I’ll be looking forward to his next release. THE FAR EDGE OF FATE available on CD Japan if you’re interested.

Review: Final Fantasy XIV Orchestral Arrangement Album

This is a short-but-sweet treat from Square Enix. We’ve reviewed nearly all of the Final Fantasy XIV soundtracks here, and can attest to the fact that the music is excellent. It would be seemingly ripe for an orchestral arrangement album, and given the 30th anniversary of the franchise, they’ve made that so!

The album opens with big choir and bombastic brass and strings in the epic “Ultima.” It’s then on to the sweetly angelic “Serenity” with a tinge of mystery, the tense and dramatic “Calamity Unbound,” the unsettling male vocals of “Rise of the White Raven,” and the desperation of “Revenge Twofold.” The album closes out with the sweeping and emotional “Painted Foothills,” the dangerous and explosive “Ominous Prognosticks” (which works in some great Final Fantasy references), and the dynamic “Heroes” which opens with a beautiful spin on the Heavensward theme before powerful piano and string stabs take over.

In all, it’s easy to enjoy this album as the source material is so strong. I’d love to hear another volume (or two!) of this kind of thing. Pick up a physical copy on CD Japan if you’re so inclined!