Tag Archives: Final Fantasy

FINAL FANTASY XII THE ZODIAC AGE Original Soundtrack [Limited Edition] (SQEX-20035~6)

Final Fantasy XII didn’t get a fair shake when it was first released. Yes, the development was quite an ordeal and the game took a few hits as a result, but Final Fantasy XII was a pioneer in many ways, including with its grandiose orchestral soundtrack by Hitoshi Sakimoto. With the HD remake, dubbed The Zodiac Age, the entire score was re-recorded with the Video Game Orchestra, bringing all the music to life with live performances in addition to new original tracks just for the re-release, totaling a massive 102 tracks and clocking in at nearly six hours.  Fans of Final Fantasy and especially Final Fantasy XII will want to give it a listen, and those who pick up the limited edition version also get an arrangement album by the team at Basiscape.

Those who’ve never heard the soundtrack before are in for a real treat right out of the gate with Sakimoto’s signature spin on the Final Fantasy theme, followed by the explosive “Boss Battle” theme and the sweeping fan-favorites “The Dalmasca Eastersand” and “Giza Plains.” “On the Riverbank” is adventurous yet sweet, “Eruyt Village” is soothing and full of mystery with its strings and woodwinds. There are other Sakimoto takes on Final Fantasy classicss such as the chocobo and Gilgamesh’s themes, exotic woodwinds in the desert-esque “The Stilshrine of Miriam,” and tribal percussion and beautiful piano and choir in “The Salikawood.” Rounding out some key themes that listeners will want to check out are “The Final Act” with its tense and decisive sound reminiscent of Final Fantasy Tactics, “Struggle for Freedom,” a new piece that is absolutely terrifying, and “The Zodiac Age,” a lovely cinematic piece. And don’t forget the beautiful harp-laden “Game Over,” which you’ll be hearing a lot!

As mentioned, the limited edition comes with a CD of arrangements, which includes a music box/dance hybrid of “The Zodiac Age” by Sakimoto himself, exotic bagpipes and woodwinds on “The Dalmascan Eastersand,” and an excellent piano solo of “The Barheim Passage.”

The limited edition is still available on CD Japan and belongs in every Final Fantasy fan’s collection.

Review: Untempered: FINAL FANTASY XIV Primal Battle Themes

As a special treat for Tokyo Game Show last year, Square Enix released a collection of “primal battle” music. That is, the tracks that play when you battle the summoned monsters. The music has been released throughout the various soundtrack releases to date, although one of the tracks has yet to hit an official soundtrack album. In addition to the battle music, the two-disc set also features some lovely artwork on a sturdy slipcase that covers the DVD-sized packaging.

Lots of fan-favorite tracks are here, including the brooding “Fallen Angel,” the exotic and epic “Ultima,” and the grungy metal tracks “Through the Maelstrom” and “Oblivion.” There’s a version of “Battle on the Big Bridge” here, the iconic The Nightmare Before Christmas-flavored “Good King Moggle Mog XII,” and “Battle to the Death,” a killer arrangement of the Final Fantasy VI battle theme by the same name. “Thunder Rolls” is somber and dreamy with its female vocals, “Footsteps in the Snow” combined beautiful piano and choral work with desperate string stabs, and “Unbending Steel” sports gritty male vocals that would be right at home in a Western film. The memorable Heavensward themes are represented, along with the industrial “Fiend” that will have you thinking of Nine Inch Nails, the pop-flavored “Equilibrium,” and a new track, the majestic and adventure-filled “Beauty’s Wicked Wiles,” which I imagine will make it onto a soundtrack release in the future.

In all, this is a solid collection of music for people who don’t already own the various soundtrack releases. Those who do own them may be interested for the artwork and the in-game items that Square Enix is serving up for buying it. Grab it on CD Japan or the North America merchandise store if you’re interested.

Review: BRA★BRA FINAL FANTASY BRASS de BRAVO 2017 with Siena Wind Orchestra

We’ve covered a lot of Brass de Bravo, and shortly after Brass de Bravo 3 was released, Square Enix held a live performance at the Tokyo Bunka Kaikan. This is a Blu-ray recording of the concert, and it’s a riot. I’ve attended and viewed many concerts over the years, but this one looks like it was one to attend. The set list centers closely around the Brass de Bravo 3 album and focuses heavily on Final Fantasy V, VII, and IX, but the quirkiness of the event and fan participation really set it apart, and as such, I’ll focus mostly on the event.

There’s a full wind orchestra that is heavy on clarinets and saxophone, although other interesting instruments are featured, including the ephemera and more. I was lucky enough to watch alongside a saxophone player who was able to comment on the instruments while we watched. The event is emceed by none other than Nobuo Uematsu himself alongside Mami Yamashita. Uematsu has a great time and even performs on a few of the tracks. The fun begins with “Moogle Theme,” which opens with a man dressed in a moogle towel explaining rhythmic clapping and dance moves that the audience needs to perform along with the song. The moogle man is ousted by a pancho and sombrero-wearing man who takes the audience through even more ridiculous dance moves. The audience complies, which is a lot of enjoyable silliness to watch. During the Final Fantasy main theme, the audience is invited to play along with their own recorders, creating a pretty amazing sound as dozens of audience members join the orchestra. The second half sports some smaller ensembles, including a swingin’ “Dear Friends,” an intimate “Elia, Maiden of Water,” and a fun “Vamo’alla Flamenco,” complete with traditional Spanish tap dancing with the percussion section gripping roses between their teeth. They let the audience pick the final track, which was surprisingly “Festival of the Hunt” from Final Fantasy IX instead of “Battle on the Big Bridge.” The encore was another audience participation track: “Mambo de Chocobo.” This time, everyone who wanted to participate came up on stage with a variety of instruments… lots of shakers, a plastic trombone, a melodica running through a laptop, and more. It was completely wild and looked like a blast.

While the arrangements on some of these are straightforward, this concert footage is downright fun. If you’ve enjoyed any game music concerts on video, this is definitely one to get. Invite some friends over, have some drinks, and get ready for some laughs!

Grab it on CD Japan if you’re interested.

Review: Final Fantasy Record Keeper Original Soundtrack vol. 2

Final Fantasy Record Keeper is a nice treat for fans of the series, and while the first soundtrack volume was fairly straightforward, there’s a little more depth to this release. Spanning two discs and including massive medleys, there’s certainly a lot of music to dig into.

The album opens with a grand and regal version of the Final Fantasy fanfare worked into the main theme, which is a refreshing take on both tracks. There’s a frightening “Kefka’s Theme” including sound effects and bombastic orchestra, a beautiful “Aria di Mezzo Carattere” with bells and a capella vocals that offers up a lullaby-esque spin on the track includes some Christmas cheer with “Joy to the World” worked in. There’s synth rock with rock organ and a unique upbeat reference to Aerith’s theme in “Still More Fighting,” and a wonderful overworld medley with  an alternative rock version of Final Fantasy IV, a sweet pop version of Final Fantasy IX,  and the rarely covered “Unknown Lands” from Final Fantasy V which I greatly appreciated. “Eiko’s Theme” from Final Fantasy IX gets a bouncy electronic remix, “UTAKATA” from Type-0 is a mix of flamenco and female vocal pop, and “Contest of Aeons” is a creative blend of boss music and the hymn from Final Fantasy X. “The Crystal Tower” from Final Fantasy III gets an adventurous arrangement that is intense and emotional,  whereas “Etro’s Champion” is an ethereal and cool medley from Final Fantasy XIII. “Hammerhead” from Final Fantasy XV gets a dancey synth/chip version, and “Chaos Temple” also goes electronic with bumpin’ bass and classy piano. There’s an 18-minute-long battle medley with a rock/orchestral spin on battle themes from each game in the series, an epic 25-minute-long 30th anniversary melody that includes lovely guitar on “Rebel Army” from Final Fantasy II, a folksy take on “Searching for Friends” from Final Fantasy VI, an explosive Hollywood action version of “Man with the Machine Gun” from Final Fantasy VIII, and a nice woodwind version of “You Are Not Alone” from Final Fantasy IX. The closer is a track from the Square Enix internal jazz band, Nanaa Mihgo, titled “Journey of Memory,” a funky and upbeat jazz pop track.

In all, this is a much stronger collection of music than was offered with the first volume, and contains a lot of material that fans of the series will want to hear. You can grab it on CD Japan.

Review: Distant Worlds IV: more music from Final Fantasy

We’ve written about Distant Worlds quite often, and here we are with another collection of Final Fantasy music with Distant Worlds IV. There’s a track from just about every game in the series, most of which are arrangements that have appeared on other albums in the past.

Starting sequentially from the beginning, there’s Final Fantasy III’s “Legend of the Eternal Wind,” which is measured and determined and takes on a more somber tone towards the end with a rendition of “The Prelude” on harp. Final Fantasy IV’s “Battle with the Four Fiends” is ominous and tense, incorporating hand percussion, tumultuous woodwinds, and regal brass with some great rhythmic variation. Final Fantasy V’s main theme is upbeat and lighthearted with woodwinds and triangles, and majestic at times with the inclusion of brass. Final Fantasy VI gets the mysterious pizzicato-laden “Phantom Forest,” and Final Fantasy VII’s “JENOVA COMPLETE” is featured, starting low and exploding with rolling percussion and powerful brass. Also included is Final Fantasy VII’s “Cosmo Canyon,” which is accented with its tribal percussion, its memorable woodwind melody, and emotional string swells. “The Oath” from Final Fantasy VIII is resolute and stirring, Final Fantasy IX gets the rambunctious “Festival of the Hunt,” and Final Fantasy XII’s “The Dalmasca Eastersand” gets sweeping strings and rolling snares in a playful arrangement. Final Fantasy XIII’s “Fang’s Theme” is adventurous and energetic, retaining Hamauzu’s strong piano backing, while Final Fantasy XIV gets the bombastic “Dragonsong” with Susan Calloway’s beautiful vocal work and the amazing take on the Final Fantasy prelude, “Torn from the Heavens.” There are two Final Fantasy XV tracks, including “Apocalypsis Noctis,” which is rather straightforward and true to the original, and “Somnus,” with its heartrenching piano, strings, and blend of regal and desperate moods.

In all, this is another strong collection of orchestral music from the Final Fantasy series. Many of the arrangements can be heard elsewhere, but it’s nice to have them compiled here in a nice, tidy package. The album is available from multiple sources, from Bandcamp to imports from Japan.

Review: THE FAR EDGE OF FATE: FINAL FANTASY XIV Original Soundtrack

We’ve covered a lot of Final Fantasy XIV music here over the years. Each release adds a mountain of new music to the game, and as always, it’s very high quality stuff courtesy of composer Masayoshi Soken. THE FAR EDGE OF FATE comes packed on a Blu-ray disc with tagged MP3 files of the album’s 50 new tracks included. There are also many references to unexpected pieces through Final Fantasy’s storied past that series fans will enjoy.

I can’t touch on all 50 tracks, but some of my favorites include “Down the Up Staircase” withs its sweet harpsichord and swaying strings, “Dancing Calcabrina” from Final Fantasy IV with deep acoustic bass and circus-like synth work, and “Metal – Brute Justice Mode” which comes as a super hero rock/orchestral track with big brass and robotic vocals. There’s the militaristic and decisive march, “Faith in her Fury,” a reprise of the Heavensward theme with the epic and huge “Revenge of the Horde,” and the dreamy trance track “Blackbosom.” The jingly-jangly “No Sound, No Scutter” adds metallic percussion and kazoo to the mix, “The Kiss” is playful with its toy percussion and sweet woodwinds and pizzicato strings, and “Starved” brings grunge rock with electronic whirs in a very cool combination. “The Ancient City” is a somber piano concerto, “Holy Consult” sounds channels its inner Western flick, and “Teardrops in the Rain” sports constant movement and mystery with Final Fantasy IX references. The throwbacks continue with the ominous organ track, “Promises” and “Shadow of the Body,” both of which draw from Final Fantasy IX, and “Battle tot he Death,” a new spin on the Atma weapon battle from Final Fantasy VI. “Rise” sounds like something out of The World Ends With You with its male rapping and hip hop sounds, while “Penultimania” features a dizzying rolling chip line with spacious strings. The album closes with the James Bond-esque “Scale and Steel” with big strings and brass and a heavy sense of intrigue.

In all, Soken does another wonderful job. I’ll be looking forward to his next release. THE FAR EDGE OF FATE available on CD Japan if you’re interested.

Review: Piano Collections Final Fantasy XV: Moonlit Melodies

For every fantasy, there must be a piano collections album. Final Fantasy XV kind of got two, a mini album that was distributed with the limited edition of the original soundtrack, and this standalone disc featuring ten key tracks from the game done up in solo piano style. I particularly enjoy the artsy track titles.

The album opens with the somber “Dreaming of Dawn -Somnus-,” which is slow, deliberate, and emotional, capturing the spirit of the original and acting as a perfect theme for the game. The popular “Waltzing Among Moonbeams -Valse di Fantastica-” is an elegant, upbeat, and full arrangement that takes a more energetic and adventurous direction towards the end. The battle theme, “Illusions of the Morn -Stand Your Ground-,” also gets a full arrangement with lots of variety, including a nice section where the bass drops out creating a neat effect and some nice “Prelude” runs. Another battle theme, and a personal favorite, “Veiled in Black,” is much more ominous than the original and features some beautiful runs and fluttering notes over the top of the main melody that are a nice touch. The swashbuckling “APOCALYPSIS NOCTIC” also nails the vibe of the original track (defiant, epic) with just a piano, which is a remarkable feat given the energy of the original track.

It’s short, but sweet. The album comes packaged with a nice slipcase, too. The album’s available on the Square Enix North American eShop.

Review: Dissidia Final Fantasy -Arcade- Original Soundtrack vol. 2

Dissidia Final Fantasy -Arcade- is back with more arrangements of Final Fantasy tunes from Takeharu Ishimoto. We thought the first volume offered a nice compilation of Final Fantasy battle music, even if the arrangements were somewhat straightforward, and that doesn’t change much with Volume 2.

After a dreamy orchestral/rock version of “The Prelude,” the opening track, “Title,” brings back the Dissidia main theme with big choir and orchestra. It’s then on to Final Fantasy arrangements with an uplifting ska-flavored take on the overworld theme from the original Final Fantasy and an orchestral/metal take on the Final Fantasy II overworld. “Crystal Tower” from Final Fantasy III gets into more ska territory, while “Within the Giant” from Final Fantasy IV gets thumping bass and dreamy guitars and synths. “Final Battle” from Final Fantasy X pairs Hamauzu-style piano with rock elements, while “Fighters of the Crystal” from Final Fantasy XI offers a nice blend or orchestral and rock that feels laid back despite the instrumentation. “Struggle for Freedom” from Final Fantasy XII also offers a measured rock/orchestral arrangement, while “Boss Battle” brings in glitchy electronic elements and rock to the original with a nice uplifting gallup. “Ultima” from Final Fantasy XIV gets a nice Celtic rock spin with some really driving metal moments, while “Servant of the Crystal” from Final Fantasy Type-0 gets female choral singing of the main theme with some excellent electric guitar work. Final Fantasy Tactics gets a metal version of the ominous battle theme, “Battle on the Bridge,” a bumpin’ dance version of “Unit Selection,” and a dance-y electronic/folk spin on “Ultema.”

It’s certainly a mixed bag, but there are some cool arrangements among the two discs of music featured. Grab the album on CD Japan if you’d like!

Review: Mobius Final Fantasy Original Soundtrack 2

If you enjoyed Mitsuto Suzuki’s Mobius Final Fantasy soundtrack, you should be ecstatic that Square Enix has released a massive second volume comprising three discs of all new music. Prepare yourself for more sweeping orchestral, abstract electronic wizardry, and killer vocal tunes with lots of Final Fantasy references tucked in for good measure.

I’ll start with the amazing “Capricious Cait Sith,” easily my favorite track on the album, which comes as a silly female vocal disco tune with a smooth and funky backing. Vocals are featured prominently throughout, including on the wonderful “Always There” with its ascending acoustic guitar, ethereal pads, and gentle male vocals and the cool RNB production, “Azure Memories,” which sports clean acoustic guitar and female vocals. Backing up, though, the album begins with the big orchestral sounds of “Ring of Braves” with rolling percussion and uplifting piano before diving in to the whimsical “Mogheim” with its lovely piano and Final Fantasy main theme references, the dance-y “Breaker’s Funk” with rhodes piano and funky bass synth, and “Meia’s Theme” with its cool blend of flamenco guitar and strings. There’s a beautiful Christmas version of “Sarah’s Theme” from Final Fantasy XIII-2, a Final Fantasy theme Christmas track titled “Hopebringer,” a rockin’ rendition of the Final Fantasy VII “Fanfare,” which is absolutely perfect, and the explosive metal “Bloodthirst” with powerful percussion and guitar shredding. “The Infinite Warrior” gives us upbeat rock in traditional Final Fantasy style with its bubbly approach and rock organ, and “Battle Princes,” a bumpin’ EDM track that transitions into uplifting piano and strings.

Spanning three discs, there’s a lot of music here to enjoy. I think I enjoyed Mobius Final Fantasy Original Soundtrack 2 even more than the original release. Grab it on CD Japan if you’re so inclined!

Review: Distant Worlds: music from FINAL FANTASY THE JOURNEY OF 100

Ask, and you shall receive? When we reviewed the Distant Worlds: music from FINAL FANTASY THE JOURNEY OF 100 Blu-ray disc back in 2015, my only gripe was that the MP3 files weren’t housed on the disc. Well, this year, to celebrate 30 years of Final Fantasy, Square Enix released the music on CD.

I’ll simply quote our 2015 review here:

They play many of the classics, including the iconic “One-Winged Angel,” a lovely healing rendition of “The Prelude,” the rousing “Final Fantasy” theme, and the wondrous “Main Theme from Final Fantasy VII.” Some new arrangements come courtesy of Piano Opera Final Fantasy pianist Hiroyuki Nakayama, and are a real treat. “Balance is Restored” from Final Fantasy VI stands out in particular, visiting several of the game’s key themes, along with Susan Calloway’s rendition of Final Fantasy XII’s vocal theme, “Kiss Me Good-Bye,” “Roses of May” from Final Fantasy IX, an explosive “Torn from the Heavens” from Final Fantasy XIV (with Masayoshi Soken in attendance), singer Emiko Shiratori reprising her role as vocalist on Final Fantasy IX’s “Melodies of Life,” and an amazing battle medley covering Final Fantasy I – XIV which picks some often-missed tracks, including the final battle theme from Final Fantasy V and a jazzy rendition of the Final Fantasy VIII battle theme. The orchestra reacting to the fan reaction to “Swing de Chocobo” was cute, too, as well as the upright bass player really getting into the piece. Finally, the encore “J-E-N-O-V-A Complete” was also fantastic, really pushing the orchestra to adopt an aggressive battle sound.

Unfortunately this album was sold only at their Tokyo Game Show 2017 booth. While that means it’s not widely available at the moment, I’d suggest keeping an eye on their website to pick it up if you’re interested.