Basiscape is finally wrapping up their eight-disc CARAVAN STORIES soundtrack series. While many of the earlier volumes focused on specific regions and races of the world, Volume 8 concludes with music from the game’s story. As such, this volume offers a more eclectic mix of music compared to past volumes, but that doesn’t mean the series doesn’t go out with a bang.
It begins with the bombastic and spooky-yet-comical “Assault on Enigma” before launching into the mechanical and piston driven percussion of “Demon Transformation,” the whimsical strings and woodwinds of “Claw Knights,” and the seriously spooky “Guriam Borderland.” It’s then on to the alternating determined and chill “Philosopher’s Tower,” the desolate “Ancient Fortress” featuring sitar, and the playful “Slapstick Castanet” with accordion, marimba, and bassoon. There’s the dancey “Jillian’s on Stage,” the rapid-fire Celtic strings and brass stabs of “Duel,” and the regal and sinister “House of the Lord.” “Crescent Hot Spring Town” is contemplative and features swaying strings and toy percussion, “Rallying Man” is energetic and adventurous with a signature Sakimoto aesthetic, and “Trumbull Dominion” is slow and brooding and includes tinges of jazz. The closer, “The Snow Girl and the Three Santas,” sports a huge big band with brass, tambourine, bells, and an appropriately celebratory mood.
The final album in the series can be purchased physically on CD Japan and digitally on iTunes. Feel free to catch up on the rest of the albums in the series here.
We’re nearing the end with Basiscape’s massive CARAVAN STORIES soundtracks. This Japanese mobile/PC RPG’s soundtrack spans eight volumes, each dedicated to a different race from the game. Volume 7 is focused on the lizardmen, and is appropriately bleak and ominous. Composition duties are largely split between Basiscape’s Kazuki Higashihara and Yoshimi Kudo.
The album opens with the exotic and ominous percussion and tense strings of “Hugo’s Cauldron” before jumping into the pumping bass, epic bell tolls, and intense strings and woodwinds of “Bunwaii Desert” and it’s night variant with folksy guitar. The battle-like “Burning Blade” with its explosive percussion and ascending string stabs might remind you of Final Fantasy Tactics, while the electronic percussion, grandiose strings, bagpipes, and sense of tragedy in “Lloyd-Hann” is also a highlight. There’s the robot-like “Kinsfolk Fractured Zone,” marimba and bass synth in the comical yet frantic “Voracity of Chaos,” gurgling synths and pounding percussion in “Tyrant of Chaos,” intensely catchy synth lines in “Power Struggle -Inferiority-,” and an industrial sound with a wonderful chorus in “Battle with Head of Warrior.” Rounding out the album are the militaristic march, “Hero’s Trial,” a spooky waltz with a male operatic lead incorporating the main theme in “Caravan Trip -Festival of the Dead,” a broodier male vocal track with an auto-tuned backup choir in “Mansion from the Depths,” and a surprisingly serene and otherworldly version of the main theme titled “Caravan Trip -New Year-.”
There’s one volume remaining in the CARAVAN STORIES series. Watch out for that soon. In the meantime, Volume 7 can be purchased on CD Japan. It’s also available digitally on iTunes. Information on past volumes can be found here.
Basiscape has reawakened with eight volumes of music from the mobile/PC MMORPG CARVAN STORIES set to release between now and the beginning of 2019. The first volume established a whimsical fantasy atmosphere, and Vol. 2 continues on with music focused on the human areas of the game.
It all begins with a reprise of the lovely main theme with “Caravan Trip -Nightscape-,” a sweet and angelic spin with piano, bells, and woodwinds. There’s the energetic and uplifting battle theme, “The Method of Fighting,” the dreamy guitars, tribal percussion, layered brass, and soothing wildness of “Eastern Part of Denon Hill,” and the epic and grandiose “Mauriana Region” with romantic string work and folksy banjo (there’s also a twinkly sleep version). “The Light for Valmuer Street” comes as a male vocal ballad with a Spanish flair, “Waterling Main Road” sways in a grand and contemplative manner with snapping percussion, and “Scott Battlefield” is both mysterious and determined with pizzicato strings and competing time signatures. Rounding out the album is the bubbly and folksy “Reuben” with acoustic guitar, hand percussion, and Celtic instruments.
Grab CARAVAN STORIES Original Soundtrack Vol. 2 on Amazon to get the latest goodness from Basiscape.
It’s been some time since Hitoshi Sakimoto’s Basiscape Records released anything, but that drought has just come to an end. The Basiscape team has scored the massive anime MMORPG Caravan Stories for PC and mobile, and will be releasing the soundtrack over eight separate volumes between now and January 2019. The first volume includes over an hour of music and is available in digital and physical formats.
Fans will enjoy the folksy and playful fantasy style of the score, particularly the opening “Iyarr Ancestral Song” with its melancholy woodwinds, acoustic guitar, and female vocals. There’s an energetic battle theme that has a lot of fun with the classic JRPG formula in the equally-fun titled “Outpouring of Armaments,” a trippy and cool fanfare with “Victory in Battle,” and the playful and Sakimoto-esque “Iyarr’s Narrator.” Rounding out the album are the grandiose strings and percussion in typical Sakimoto fashion with “Caravan Stories” and a lovely upbeat pop ballad including vocals with “Longing.”
There’s great music to be had by the Basiscape team with seven more volumes to come. Grab Caravan Stories Original Soundtrack Vol. 1 on iTunes.
Final Fantasy Record Keeper is a nice treat for fans of the series, and while the first soundtrack volume was fairly straightforward, there’s a little more depth to this release. Spanning two discs and including massive medleys, there’s certainly a lot of music to dig into.
The album opens with a grand and regal version of the Final Fantasy fanfare worked into the main theme, which is a refreshing take on both tracks. There’s a frightening “Kefka’s Theme” including sound effects and bombastic orchestra, a beautiful “Aria di Mezzo Carattere” with bells and a capella vocals that offers up a lullaby-esque spin on the track includes some Christmas cheer with “Joy to the World” worked in. There’s synth rock with rock organ and a unique upbeat reference to Aerith’s theme in “Still More Fighting,” and a wonderful overworld medley with an alternative rock version of Final Fantasy IV, a sweet pop version of Final Fantasy IX, and the rarely covered “Unknown Lands” from Final Fantasy V which I greatly appreciated. “Eiko’s Theme” from Final Fantasy IX gets a bouncy electronic remix, “UTAKATA” from Type-0 is a mix of flamenco and female vocal pop, and “Contest of Aeons” is a creative blend of boss music and the hymn from Final Fantasy X. “The Crystal Tower” from Final Fantasy III gets an adventurous arrangement that is intense and emotional, whereas “Etro’s Champion” is an ethereal and cool medley from Final Fantasy XIII. “Hammerhead” from Final Fantasy XV gets a dancey synth/chip version, and “Chaos Temple” also goes electronic with bumpin’ bass and classy piano. There’s an 18-minute-long battle medley with a rock/orchestral spin on battle themes from each game in the series, an epic 25-minute-long 30th anniversary melody that includes lovely guitar on “Rebel Army” from Final Fantasy II, a folksy take on “Searching for Friends” from Final Fantasy VI, an explosive Hollywood action version of “Man with the Machine Gun” from Final Fantasy VIII, and a nice woodwind version of “You Are Not Alone” from Final Fantasy IX. The closer is a track from the Square Enix internal jazz band, Nanaa Mihgo, titled “Journey of Memory,” a funky and upbeat jazz pop track.
In all, this is a much stronger collection of music than was offered with the first volume, and contains a lot of material that fans of the series will want to hear. You can grab it on CD Japan.
I can’t say I know much about Square Enix’s mobile title Alice Order, but I’ve heard good things about its soundtrack composed by Yuki Hayashi. Hayashi is mainly known for his work in the realm of anime, so I was curious to delve in. There’s a blend of orchestral, instrumental, and electronic soundscapes found within, all of which is wonderfully produced.
The opening track, “ALICE ORDER,” introduces sweeping orchestra with electronic percussion and bass, creating a sleek and cool atmosphere. There’s tension in the mission select theme with chugging bass and brass, an energetic blend of orchestral and rock in “Valkyrie Dance,” and guttural electronics and fast-paced espionage vibes in “Advance Troops.” “Result” offers a uplifting march, “In Progress” adds tribal percussion to the electronic/orchestral mix, and “Forces Conflict” is ominous with glitchy percussion and desolate and distant guitar work. There’s a tragic piano and string ballad titled “What is lost,” a mysterious droning synth track called “Wave of mystery,” and a touch of playfulness in “Fleeting peace” with its triangle, pizzicato strings, and acoustic guitar. Rounding out the album are “Mighty force,” a grandiose struggle, “Invasion of darkness,” a pumping electronic track, and the explosive “Divine judgment.”
In all, there’s a nice mix of music here to demonstrate Yuki Hayashi’s talent. Fans looking for some cool and sleek electronic music might want to give this a try since it’s unlikely anyone outside of Japan has played the game. It’s available on CD Japan.
This one’s surely a pleasant surprise. Square Enix publishes a lot of game music for their mobile titles that don’t make it out of Japan, and sometimes there’s some excellent music found within. The Grimms Notes soundtrack by Taketeru Sunamori and Miyako Matsuoka is a perfect example. There are strong Celtic influences throughout with all the JRPG staples, and it’s certainly worth the time to check it out.
The opening theme is magical and mysterious with descending harp and a lute, setting the tone for the rest of the score. There’s a woodwind and tambourine-heavy folk tune, uplifting harmonica in one track, warm and beautiful harmonies in another. There are exotic woodwinds, Latin-flavored guitars, a triumphant and adventurous march, tropical steel drums, and a mixture of contemplative, somber, and epic tunes towards the end. The star of the show, however, is the version of the main theme with Japanese female vocals. There’s something unsettling about the track, like some ancient lullaby with seemingly sweet lyrics that hide danger within, but it’s absolutely gorgeous.
The unfortunate news is that I can only find it on sale on the Square Enix Japan store. I hope it turns up elsewhere, because the soundtrack is a hidden gem!
I’d heard great things about the Sonic Runners soundtrack, although I’ve yet to play it. The album cover is pretty snazzy to be sure, and I’ve been a fan of Tomoya Ohtani’s Sonic material for some time. As it turns out, though, Sonic Runners may be my favorite Sonic soundtrack since Sonic Generations and Unleashed. Ohtani provides a memorable blend of pop rock that sounds right at home in the Sonic universe, and thankfully omits the vocals, which can yield high rewards but are always a risk in my opinion. This does lead to a few tracks feeling like they are just waiting for vocals to be inserted, but I’ll take a great instrumental over a poorly executed vocal any day.
The album opens with the uplifting rock track, “Beyond the Speed Of…” with its doubled-up piano and guitar and an incredibly catchy melody that’s used elsewhere, including in my favorite track, “Going my Way,” which uses electronic filtering effects to great result. “Spring Emotions,” another favorite, is typical J-rock with beautiful strings and and the use of accordion throughout the chorus section, while “End of Summer” features pop piano, fluttering electric guitar, and a sweet atmosphere. From there, “Fly Away” sports some concerto-like piano work, “Power Ride” introduces shredding metal and pumping percussion, “Theory of Attack” offers some spunk, “Where to Today?” is a whimsical march, “Go Quickly!” is a lightning-fast flight with a carnival vibe, “Fiery Passion” is funky with rock organ and crazy rhythm guitar, “Strange Parade” is a dancey electronic track, and “Magical Snow Day” is a frosty tune with jingle bells and a jolly bass line.
There isn’t a ton of material here. Thirteen tracks, over 40 minutes of music, but it’s all fantastic. This is how Sonic music should be! Even better, this gem is only $12.50 on CD Japan. Get on it!
It’s been quite some time since we’ve heard new Valkyrie Profile music by Motoi Sakuraba. As it turns out, he missed writing music for Square Enix’s oft neglected series, and this mobile prequel serves up 20+ tracks that offer something new along with a boost of nostalgia by revisiting some of the most popular themes from the series. Expect Sakuraba’s signature progressive rock and orchestral offerings with a distinctly somber atmosphere throughout.
Right out of the gate, the haunting opening theme sports epic choir and string swells and a hint of tragedy. This continues through much of the orchestral and rock material, including the unsettling “Behave irrationally II” with its woodwinds and bells, the descending orchestral rock in “The maze of dungeon,” and the terrifying “Emotional upset #2” with its big brass and ominous choir. One track brings in a rustic vibe with the use of a harpsichord, while another is a slow and mellow lullaby. One of my favorites is a melancholy piece featuring harp and emotionally-tinged strings that would be right at home in a Dark Souls hub area, while another standpoint, “enfant terrible,” is equally unsettling with its use of woodwinds and a bassy string section. The album closes with a continuous mix that runs for over 20 minutes, featuring quick cross-fades between tracks.
In all, I think I speak for most when I say I’m surprised but also pleased to see this music released. There are many fans of the series, and even though this is a small offering of new material to satiate that Valkyrie Profile music itch, what’s here is quite good. Unfortunately, it’s not widely available at this time (it was released at the Tokyo Game Show store in September), so hopefully Square Enix offers a wide release in the near future.
A lot of people had fun messing around with FINAL FANTASY Record Keeper, and I’m sure more than a few dug the arrangements featured throughout and wanted to get their hands on them. Well, Square Enix has you covered with this compilation album featuring a variety of talent mostly from outside Square Enix, who you can learn about on VGMdb.
The arrangements are fairly straightforward, with little twists to fit special holidays or combined into tidy medleys. “Mystic Mysidia -Halloween-,” for example, gives the mischievous tune some mysterious bells and defiant strings in A Nightmare Before Christmas fashion, while jingle bells join the Final Fantasy VII main theme and “Gold Saucer,” making for a jolly Christmas arrangement. “Eyes on Me,” “Celes,” and of course, “Theme of Love” combine for a perfect Valentine’s Day medley, and a lovely sleep-inducing Tanbata (Star Festival) medley features lots of harp and bells to capture that celestial atmosphere.
There are several one-off arrangements, including rockin’ versions of “Battle at the Big Bridge” and “Decisive Battle” from Final Fantasy VI (which features a few other songs as well), a dreamy trance version of “The Man With the Machine Gun,” a bubbly techno-flavored “Vana’diel March,” a wedding organ-infused “Prelude,” and a pumping electronic/rock version of “Blinded by Light” (one of the more complex arrangements by Monster Hunter/Dragon’s Dogma composer Tadayoshi Makino).
While there isn’t a whole lot to sink your teeth into, if you played with the app and want the music, it’s available at CD Japan.