Tag Archives: Mobius Final Fantasy

Review: SQUARE ENIX MUSIC SAMPLER CD VOL.11

Another Tokyo Game Show, another Square Enix Music sampler CD. This is the eleventh (see volumes 9 and 10), given to customers who made purchases over a certain threshold. The discs have evolved over the years to include full tracks from recently-released and upcoming albums from Square Enix Music’s label, and they had a lot to show this year.

The sampler begins with “Nox Aeterna (E3 2013 Trailer)” from Final Fantasy XV, a tragic and somber affair. The music that has been performed from this game is fantastic, and I wonder if this trailer track will appear on the final soundtrack release. From there, “No Turning Back” is a tense Hollywood action cue from Kingslaive (which I rather enjoyed), “Blazing Heart of Justice” is pure metal from Justice Monsters Five, and two tracks–a Japanese pop vocal piece and a pumping battle track with Masashi Hamauzu’s signature piano and strings–from World of Final Fantasy that have me excited for this soundtrack in particular. SaGa Scarlet Grace offers beautiful sweeping orchestra, Final Fantasy XII Zodiac Age introduces a gorgeous orchestral sound to “Ozmone Plains,” and NieR Music Concert & Talk Live offers a live vocal rendition from NieR that I can’t wait to hear and watch. Some new games are included, such as a synthy Celtic track from Celestial Aruls, some great synth music from Naoshi Mizuta from both Akashic Re:cords and Guardian Codex, an RPG town theme from Pop-Up Story: Mahono Moto to Seiju no Gakuen, a folksy vocal theme from Kamitsuri, and two unreleased tracks from Mobius Final Fantasy: one that offers mellow male vocals and synth work similar in style to Mitsuto Suzuki’s solo albums, and another that is sweeping and epic, working in the Final Fantasy main theme.

In all, this is a strong sampler that shows a lot of great music in the works. There’s the usual stuff to be excited about, including Final Fantasy XV, NieR, and SaGa Scarlet Grace, but some of the lesser-known titles now have my interest.

Stay tuned for our reviews of these albums in the coming months. Unfortunately the sampler will be difficult to find with TGS being long over.

Review: MOBIUS FINAL FANTASY Original Soundtrack

Mitsuto Suzuki was known mainly as an audio programmer, solo artist, and arranger until he broke out into composing with The 3rd Birthday and later, Final Fantasy XIII-2 and Lightning Returns. We discussed his work on the SCHOOLGIRL STRIKERS last year. There’s been a lot of anticipation for his full-length score for MOBIUS FINAL FANTASY, and it’s finally here.

Fans of his work on Final Fantasy will be pleased. There’s a nice blend of atmospheric textures and orchestra. There are several Final Fantasy references as well, which are tastefully done. In fact, Suzuki provides some of the most refreshing takes on both the “Final Fantasy” theme and “The Prelude” by using fragments of the themes alongside his ethereal blend of choir and pads that makes for a wonderful listening experience. Chocobo makes an appearance with the vocaloid “Chocobattle!”, and there’s also a metal battle theme that heavily references “Battle Scene” from the original Final Fantasy (very cool!). Finally, there’s a new spin on the Final Fantasy VI battle theme with some metal layered over the top of the original recording.

His bombastic “Legend – Mobius Final Fantasy” blends filtered guitars and bombastic orchestra and choir into a powerful theme, while “Wol’s Theme – The Journey Begins,” is sweet and catchy. This theme is featured many times throughout the score to great effect, with relaxing, tropical, and the upbeat, funky, and pop-oriented main version being featured throughout. “Dancing Edge” is a super cool dubstep-infused track brimming with positive energy, “The Forsaken World” works in ethereal pads and piano/acoustic guitar in an unsettling combination, and “Attack Ignition” is a heavy dancefloor tune. “The Rune Crystal” layers pads and bells in a beautiful and otherworldly fashion, “Sarah’s Theme” brings in sweeping orchestra and choir, and “Lightway” introduces massive pads and a spacey melody. “Among the Musty” sports hauntingly beautiful guitar work, “Just Desserts – Second Helping” is a super energetic orchestral track featuring snippets of the Final Fantasy theme, and “Infinite Arena” is an upbeat rock track with that feels like Final Fantasy battle themes of old, while “Echo’s Theme” features mischievous chattering, a sweet and innocent piano melody, and la-la choir. Coming to the end, “The Last Stand” sports epic choir and orchestra and the sound of machinery chugging, “The Azure Witch” gets cool piano and pads with rapid piano playing, and the closing “Palamecia Breeze” brings in harp runs from “The Prelude” behind a beautiful piano and pads melody, and is absolutely gorgeous.

Fans of Mitsuto Suzuki should be pleased with more of his unique sound. The two-disc album is available on CD Japan.

Review: SQUARE ENIX MUSiC SAMPLER CD Vol.10

It’s that time of year again. Square Enix put out their annual sampler from Tokyo Game Show featuring goodies from their upcoming albums. They usually use these samplers as a vehicle to announce new albums and show off impending ones, but this year’s sampler features mainly material that we’ve known is coming. Also of note is the fact that the samples are all full-length tracks instead of the snippets that we’ve sometimes received in the past.

The disc opens with the ten-minute-long “Thunder Falls” from the Final Fantasy XIV: Before the Fall OST. It’s out now, and I highly recommend it (review here). There’s a lovely battle medley from Final Symphony II, featuring “Fierce Engagement” from Final Fantasy VI and a tease of “One-Winged Angel.” Imperial SaGa features Kenji Ito back in his orchestral element after so many rock excursions (Million Arthur, SaGa Battle). It’s fantastic and features a nice variation of the SaGa theme. We also get a taste of the upcoming Legend of Mana arrange album in the form of a wonderful jazz arrangement that is playful at times and beautiful at others. An arrangement from the highly-anticipated Chrono arrange album, “Dimension Break,” has been released before, but sounds as lovely as ever, there’s a new folky tune from Final Fantasy XI, an explosive orchestral/rock hybrid from Alice Order, Mitsuto Suzuki doing his thing on Mobius Final Fantasy that sounds reminiscent of Final Fantasy XIII, a live band track featuring Motoi Sakuraba with great solos, and a rock track of his from Star Ocean V that’s nice to hear after Sakuraba’s focus on styles other than synth rock in recent years.

In all, while there aren’t any surprises, this is a solid sampler that should have give fans a lot to look forward to. There’s something for everyone with Mana and Chrono arranges, a Final Fantasy spin-off, and a serious classical album coming soon. Stay tuned!