Tag Archives: Reviews

Review: Tree of Savior – Splash August 2020 OST Collection

We’re nearing the end of our journey through the Tree of Savior add-on digital soundtracks. “Splash August 2020” is appropriately upbeat and poppy, making for great summer vibes. Catch the rest of our Tree of Savior reviews here.

This collection features almost exclusively S.F.A minus two tracks, and the total run-time is about an hour. The album opens with party-like “Samba de Seoul” with the sound of ocean waves kicking things off, followed by the entrancing and dreamy vocals of “Pristine EDM mixed,” the uplifting funk rock in “Vent,” and the emotional and contemplative “Pintura Cueva.” “Fiesta Bloom” offers uplifting and pop-infused trance, “The Wisdom of Crowds” goes disco, and “Sweet Poison” (by soundTemP) is a pumping electronic track. There’s electronic chip orchestra with Baroque harpsichord and strings with “Homage to Zborovye,” decisive and epic orchestral with “Avoidance,” Hollywood western in “In My Dreams,” and the sound of birds and waves in the island-flavored “Summer Breeze” to close things out.

This is a nice assortment of tunes that can be heard on YouTube and Steam.

Review: Tree of Savior – Nostalgic September 2020 OST Collection

Onward to the “Nostalgic” September 2020 music collection from Tree of Savior. This volume features S.F.A artists, Initium, and more soundTemP. You can catch up on all the Tree of Savior soundtrack reviews here.

Perhaps the “nostalgia” in this collections’ title comes from the sort of classic South Korean MMORPG soundtrack that hearkens back to the Vol.1 release, replete with vocals throughout, opening with the amazing opener, “iKURU,” a lovely and warm J-rock track. It’s then onto more grandiose orchestral rock with “Dienos Advento,” the decisive vocal ballad “Through the Forest,” and the beautiful and dark “Guillotina Tristeza,” all with female vocals. There’s the desperate “La Patria,” the funky “The Dignity of Wrath” and “Bodacious definition,” and the sweeping and emotional “Massivity.” The team goes huge with “Vaste Terre,” an orchestral rock track, while “Signs of Penance” goes full electronic, “Even Horizon” gets an adventurous orchestral sound, and “Uno Impetus” is a catchy Megadeth-like tune. SoundTeMP’s lone contribution, “World is Missing You,” is soothing and beautiful with sweetly strummed acoustic guitar and, let’s say, nostalgic woodwinds. The album closes with “Deives Veliava,” a big female vocal performance over piano and strings.

The Nostalgic September 2020 collection is available on Steam.

Review: Tree of Savior – May 2020 OST Collection

We look back to the Tree of Savior May 2020 music collection featuring S.F.A and Initium. It proves to be another eclectic collection of music that spans romantic orchestral, metal, western, electronic, and vocal music. Check out our past reviews of Tree of Savior releases here.

The May collection opens with the romantic adventure, “Alma Generosa,” and is followed by the cool and dangerous “Beyond the Fashion,” the bombastic “Chance to Catch,” and the vocal pop tune, “Decide my Way.” There’s comical metal with gritty male vocals in English with “Exorcism,” smooth funk in “Groove of the Sea,” and a beautiful piano and vocal ballad in “Immortal.” “Nueve” goes for a more tragic sound, while “Open Po10” and “Ra Reina” both get a Hollywood western sound. “TOS Colony” pairs shredding guitars with violin, while “UNITogether” is a special J-pop theme featuring vocals by Tsukasa Uchiyama.

You can check out the May 2020 soundtrack collection on YouTube and Steam.

Review: Tree of Savior – June 2020 OST Collection

As a huge fan of game music out of South Korea, Tree of Savior has always been on my radar. I loved the Tree of Savior Original Soundtrack Vol.1 release from years ago (wow, 2016!), and had wondered if Vol.2 would ever see the light of day. It seems in line with the times that the team decided to make small digital releases available over the course of 2020 and 2021, and we’re going to dig into these in no particular order. As mentioned in the review of Vol.1, the music is headed up by soundTeMP alum Sevin (S.F.A), with contributions from soundTeMP themselves and several other artists out of South Korea. The result is all around as fantastic as the original soundtrack release.

This volume opens with “Opening Po10 EDM mix,” a cool EDM vocal track by S.F.A with English vocals. This is followed by the rocking’ Hollywood western-flavored “Badge and Gun,” some serious shredding in “Striker,” and powerful choir and piano in “The Sacred Kind.” You get the sense here that these collections are somewhat eclectic in their presentation, just as Vol. 1 was, but the theme this time around is definitely a cool spin on the classic Hollywood western sound. S.F.A gets spooky with “Draconis Bellum” and goes goth rock in “Man Rapido,” while Questrosound serves up the uplifting and triumphant “End of the World.” There’s dark ambiance in “End of the Day,” some more “western” twang in “Sand in the Wind” with ethereal female vocals, Korean rap in “Somebody call me an outlaw,” English rap in “We are outlaw,” and a beautiful vocal ballad closer in “Heaven on Earth.”

In all, the June 2020 collections serves up 16 excellent tracks around this western theme that I think is a lot of fun to explore. Enjoy the album on YouTube and Steam!

Review: Mitsuto Suzuki’s New Unit mojera Releases Debut Album Overkill

We’re long-time fans of Mitsuto Suzuki, and particularly his solo works. Just as he’s completed his work on Final Fantasy VII Remake we get to hear the debut of mojera, a new unit comprised of Mizuto Suzuki and vocalist Non, who he’s collaborated with on the Final Fantasy Mobius soundtracks. This essentially acts as his long-awaited third solo album, following In My Own Backyard and Neurovision, and fans of those two efforts will feel right at home with mojera.

The album opens with the grungy rock and abstract electronics that we’ve come to know from Suzuki’s past solo works, weaving them into a dreamy and uplifting song accompanied by Non’s vocals. The titular track, “Overkill” is slow and contemplative before a super upbeat a pop-leaning chorus section begins with a bumping bassline and a sound highly reminiscent of the likes of Suzuki’s “New Bodhum” from Final Fantasy XIII-2, one of my favorite soundtracks. There’s the spacey electronics and heavily filtered vocals of “Pluto,” the droning and dreamy “Rain bringer” with pulsing synth notes that feel like raindrops, and “Mojera,” another standout with tweaky electronics in the vein of Katamari Damacy and clean acoustic guitar and vocals that are mega catchy… it’s unfortunate that this is the shortest track on the album as I found myself wanting more. “Master&Slave” slowly builds as an ominous electronic track with no vocals and feels like a sort of bad (but in a good way) trip in the midst of the largely dreamy and upbeat musical journey. “Prism” comes as a pumping dance tune that is chopped up and glitched out, whereas “Camouflage” is a gritty alternative rock/broody electronic track that would feel at home in Lightning Returns. Another highlight is “DJ non MachineLanguage,” a fun DJ dance floor track that Non, in a computerized voice, explains the various instruments being used and proceeds to cheer them on and scold them over the course of the tune before joining in to sing herself. “Many analog synthesizers are freaky, but Prophet 5 is a gentleman. But it’s actually badass because the sound is messed up with cross-modulation and noise.” That’s just a taste of her antics. “2019,” sports dreamy pads and sweet vocals for a nice easy closer.

There’s a free musical spirit within that blends styles which I thought was interesting given that Suzuki just collaborated at length with Masashi Hamauzu on Final Fantasy VII Remake, and Hamauzu’s unit, IMERUAT, is one of my favorites and has been covered extensively on our blog. With that, I hope we’ll see a lot more from mojera in the years to come.

Grab Overkill on iTunes or import the physical CD from CD Japan.

Review: A New World: intimate music from FINAL FANTASY – Volume II

We recently had the pleasure of attending a stop of the A New World: intimate music from FINAL FANTASY show and were impressed with the… intimate setting and very clever arrangements. Most of the games in the series get a moment in the spotlight, and Eric Roth, son of Arnie Roth, who many have come to know over the years, is a fantastic host, injecting plenty of humor into the evening. This past year saw the release of a second volume of music, and as such, we thought it would be a good time to give it a spin and share our thoughts.

The album begins with strings and woodwinds in a short arrangement of “A Place to Call Home” from Final Fantasy IX, perfect with its strong folk and fantasy vibes. Then next piece, “Chaos Shrine” from the original Final Fantasy, is a stunning take on the decisive dungeon piece with a slow build incorporating the entire ensemble that climaxes into a sweeping and beautiful take on the piece. Then it’s on to the wind-swept “Sarutabaruta” from Final Fantasy XI with swaying woodwinds and guitar, the playful and upbeat “Golden Saucer” from Final Fantasy VII with a solo piano arrangement, and a flamboyant “Lestallum” from Final Fantasy XV with lots of guitar and a strong carnival-like atmosphere. “Home, Sweet Home” from Final Fantasy V gets a determined and forceful performance, while two surprising pieces, the mysterious and tense “Tower of Magi” from Final Fantasy III and the mesmerizing “Danger in the Forest” from Final Fantasy IX come next. There’s more solo piano with “Final Battle” from Final Fantasy X, a sweeping medley of Final Fantasy XII themes titled “Ivalice Landscape” (one of the highlights at over eight minutes in length), and a solo guitar version of “Elia, Maiden of Water” from Final Fantasy III. There’s bossa nova with “The Yaschas Massif” from Final Fantasy XIII, the decisively swaying ballad, “Crimson Sunrise” from Final Fantasy XIV (an audience favorite at the concert), and a Celtic-tinged “Selbina” from Final Fantasy XI. The album closes out with the epic and desperate “Heroes” from Final Fantasy XIV: Heavensward and the soothing “Save Haven” from Final Fantasy XV which is even more warm with the full ensemble.

In all, we highly recommend giving the second volume a whirl and checking out a show near you if you’re lucky enough to catch it. You won’t be disappointed!

Review: NieR Music Concert Blu-ray

The NieR soundtracks have been wildly popular, so it should come as no surprise that the music has enjoyed multiple tours throughout Japan and one-off performances as parts of other game music concerts. This Blu-ray features recorded performances from all seven shows from the 2017 Japan tour, and this is required viewing/listening for any NieR fan.

The performances feature vocalists Emi Evans, J’Nique Nicole, and Marina Kawano, but the unique voice of Nami Nakagawa is absent due to other obligations she had. That made the shows even more interesting thought as Evans and Nicole learned her songs and performed them with a different twist. Essentially every song with vocals was performed at the event, along with a hefty load of vocal drama read on-stage by the actual voice cast. The drama is presented in Japanese, and had members of the audience in tears by the end of it. Those looking only for the music will also be moved by the beautiful renditions of “Peaceful Sleep,” “Vague Hope,” and “Weight of the World,” where the audience is invited to join in. The duet version featuring Evans and Nicole on “Song of the Ancients – Atonement” is a real treat to see, and the child singer on “Pascal” is also super cute. To top it all off, they perform several tracks from the original NieR as an encore, which should leave any NieR fan completely satisfied.

As to the arrangements, there’s a wonderful string quartet along with composer Keigo Hoashi on piano. They have guest guitarists and of course the beautiful vocals. Various electronic elements are played from a source rather than performed live, which is a bit of a bummer, but the performers who are on stage are all top-notch. Keiichi Okabe himself emcees, and is visibly moved by the audience reactions. Having been in the audience for the final show (the default performance when you press “play” on the Blu-ray), I can tell you the level of excitement was through the roof.

Go grab it on CD Japan. The slip case is especially cool as it reflects the game’s Chaos Language depending on how the light hits it, creating a really cool effect. It’s definitely worth checking out.

Review: BRA★BRA FINAL FANTASY BRASS de BRAVO 2017 with Siena Wind Orchestra

We’ve covered a lot of Brass de Bravo, and shortly after Brass de Bravo 3 was released, Square Enix held a live performance at the Tokyo Bunka Kaikan. This is a Blu-ray recording of the concert, and it’s a riot. I’ve attended and viewed many concerts over the years, but this one looks like it was one to attend. The set list centers closely around the Brass de Bravo 3 album and focuses heavily on Final Fantasy V, VII, and IX, but the quirkiness of the event and fan participation really set it apart, and as such, I’ll focus mostly on the event.

There’s a full wind orchestra that is heavy on clarinets and saxophone, although other interesting instruments are featured, including the ephemera and more. I was lucky enough to watch alongside a saxophone player who was able to comment on the instruments while we watched. The event is emceed by none other than Nobuo Uematsu himself alongside Mami Yamashita. Uematsu has a great time and even performs on a few of the tracks. The fun begins with “Moogle Theme,” which opens with a man dressed in a moogle towel explaining rhythmic clapping and dance moves that the audience needs to perform along with the song. The moogle man is ousted by a pancho and sombrero-wearing man who takes the audience through even more ridiculous dance moves. The audience complies, which is a lot of enjoyable silliness to watch. During the Final Fantasy main theme, the audience is invited to play along with their own recorders, creating a pretty amazing sound as dozens of audience members join the orchestra. The second half sports some smaller ensembles, including a swingin’ “Dear Friends,” an intimate “Elia, Maiden of Water,” and a fun “Vamo’alla Flamenco,” complete with traditional Spanish tap dancing with the percussion section gripping roses between their teeth. They let the audience pick the final track, which was surprisingly “Festival of the Hunt” from Final Fantasy IX instead of “Battle on the Big Bridge.” The encore was another audience participation track: “Mambo de Chocobo.” This time, everyone who wanted to participate came up on stage with a variety of instruments… lots of shakers, a plastic trombone, a melodica running through a laptop, and more. It was completely wild and looked like a blast.

While the arrangements on some of these are straightforward, this concert footage is downright fun. If you’ve enjoyed any game music concerts on video, this is definitely one to get. Invite some friends over, have some drinks, and get ready for some laughs!

Grab it on CD Japan if you’re interested.

Review: Final Fantasy Record Keeper Original Soundtrack vol. 2

Final Fantasy Record Keeper is a nice treat for fans of the series, and while the first soundtrack volume was fairly straightforward, there’s a little more depth to this release. Spanning two discs and including massive medleys, there’s certainly a lot of music to dig into.

The album opens with a grand and regal version of the Final Fantasy fanfare worked into the main theme, which is a refreshing take on both tracks. There’s a frightening “Kefka’s Theme” including sound effects and bombastic orchestra, a beautiful “Aria di Mezzo Carattere” with bells and a capella vocals that offers up a lullaby-esque spin on the track includes some Christmas cheer with “Joy to the World” worked in. There’s synth rock with rock organ and a unique upbeat reference to Aerith’s theme in “Still More Fighting,” and a wonderful overworld medley with  an alternative rock version of Final Fantasy IV, a sweet pop version of Final Fantasy IX,  and the rarely covered “Unknown Lands” from Final Fantasy V which I greatly appreciated. “Eiko’s Theme” from Final Fantasy IX gets a bouncy electronic remix, “UTAKATA” from Type-0 is a mix of flamenco and female vocal pop, and “Contest of Aeons” is a creative blend of boss music and the hymn from Final Fantasy X. “The Crystal Tower” from Final Fantasy III gets an adventurous arrangement that is intense and emotional,  whereas “Etro’s Champion” is an ethereal and cool medley from Final Fantasy XIII. “Hammerhead” from Final Fantasy XV gets a dancey synth/chip version, and “Chaos Temple” also goes electronic with bumpin’ bass and classy piano. There’s an 18-minute-long battle medley with a rock/orchestral spin on battle themes from each game in the series, an epic 25-minute-long 30th anniversary melody that includes lovely guitar on “Rebel Army” from Final Fantasy II, a folksy take on “Searching for Friends” from Final Fantasy VI, an explosive Hollywood action version of “Man with the Machine Gun” from Final Fantasy VIII, and a nice woodwind version of “You Are Not Alone” from Final Fantasy IX. The closer is a track from the Square Enix internal jazz band, Nanaa Mihgo, titled “Journey of Memory,” a funky and upbeat jazz pop track.

In all, this is a much stronger collection of music than was offered with the first volume, and contains a lot of material that fans of the series will want to hear. You can grab it on CD Japan.

Review: Distant Worlds IV: more music from Final Fantasy

We’ve written about Distant Worlds quite often, and here we are with another collection of Final Fantasy music with Distant Worlds IV. There’s a track from just about every game in the series, most of which are arrangements that have appeared on other albums in the past.

Starting sequentially from the beginning, there’s Final Fantasy III’s “Legend of the Eternal Wind,” which is measured and determined and takes on a more somber tone towards the end with a rendition of “The Prelude” on harp. Final Fantasy IV’s “Battle with the Four Fiends” is ominous and tense, incorporating hand percussion, tumultuous woodwinds, and regal brass with some great rhythmic variation. Final Fantasy V’s main theme is upbeat and lighthearted with woodwinds and triangles, and majestic at times with the inclusion of brass. Final Fantasy VI gets the mysterious pizzicato-laden “Phantom Forest,” and Final Fantasy VII’s “JENOVA COMPLETE” is featured, starting low and exploding with rolling percussion and powerful brass. Also included is Final Fantasy VII’s “Cosmo Canyon,” which is accented with its tribal percussion, its memorable woodwind melody, and emotional string swells. “The Oath” from Final Fantasy VIII is resolute and stirring, Final Fantasy IX gets the rambunctious “Festival of the Hunt,” and Final Fantasy XII’s “The Dalmasca Eastersand” gets sweeping strings and rolling snares in a playful arrangement. Final Fantasy XIII’s “Fang’s Theme” is adventurous and energetic, retaining Hamauzu’s strong piano backing, while Final Fantasy XIV gets the bombastic “Dragonsong” with Susan Calloway’s beautiful vocal work and the amazing take on the Final Fantasy prelude, “Torn from the Heavens.” There are two Final Fantasy XV tracks, including “Apocalypsis Noctis,” which is rather straightforward and true to the original, and “Somnus,” with its heartrenching piano, strings, and blend of regal and desperate moods.

In all, this is another strong collection of orchestral music from the Final Fantasy series. Many of the arrangements can be heard elsewhere, but it’s nice to have them compiled here in a nice, tidy package. The album is available from multiple sources, from Bandcamp to imports from Japan.