Everyone knew from the moment Hyrule Warriors was announced that this game would be all about fan service. I’ve personally never delved into the Dynasty Warriors series, mainly because the setting didn’t appeal to me very much, but a similar game taking place in Hyrule with all my favorite Zelda characters? I knew I’d be in for a treat.
One thing that was never discussed leading up to launch was the game’s soundtrack. Would there be an original score? Would we get renditions of our favorite Zelda tunes, and if so, in the rockin’ style that Dynasty Warriors is known for, or a more orchestral approach that we know from the Zelda franchise?
I’ll say I wasn’t disappointed. Read our review below. Continue reading Review: Hyrule Warriors
Theatrhythm is one of the most exciting things to happen to Final Fantasy or rhythm games in the past several years. It was the sort of idea that I could imagine throwing around with friends and never expecting to be made, but here it is. I loved Theatrhythm, and even dabbled in some DLC on my mobile phone, so I was again surprised and excited to see that it had done well enough to warrant a sequel of sorts.
Curtain Call brings more of the same, or rather, a whole lot more. There are some great additions to the music roster, which boasts over 210 songs, and a lot more to see and do, so check out my brief review below. Continue reading Review: Theatrhythm Final Fantasy: Curtain Call and Remix Selections
Hideki Sakamoto hasn’t been in games that long, but he quickly became one of my favorite composers with his work on the Yakuza series, Echochrome, Toukiden, and a number of other titles that are obscure outside of Japan. His knack for memorable melodies paired with his use of live instruments and high production values is a perfect combination, and it’s for this reason that I’ve eagerly looked forward to his various arrangement projects, from his Hideki Sakamoto Orchestral Works featuring a full orchestra to TEKARU, his rock band that tackles many of his game themes. Now we get a more intimate trio approach, and like his other projects, it doesn’t disappoint.
Read more below. Continue reading Review: Hideki Sakamoto Trio
I never had the pleasure of playing many of the games that Chris Huelsbeck became world renowned for during my childhood. Most of my experience with his work has been through his original compositions, all of which I’ve loved. That’s why the Turrican Soundtrack Anthology was such a great opportunity for me to go back and enjoy all the Turrican classics that I missed as a young gamer, and I now understand why people have always been so enamored with these soundtracks.
The Turrican Soundtrack Anthology takes music from across the Turrican series and re-imagines it with upgraded sounds. But don’t let that scare tried and true fans of the classic Turrican scores, as these new renditions are still retro to the core with their catchy melodies intact, fantastic bass synths, and rocking electronic hybrids that are a retro game music fan’s dream.
Read below for more. Continue reading Review: Turrican Soundtrack Anthology
I quite enjoyed the Lightning Returns: Final Fantasy XIII OST. While it didn’t feature the catchy pop music that made Final Fantasy XIII-2 so endearing, it did sport its own unique blend of electronic ambiance that provided for a great listen.
As has been customary for the Final Fantasy XIII soundtracks, Square Enix released an additional disc of trailer music, instrumental versions, cut tracks, and variations on themes presented on this PLUS album. Is it worth picking up?
Read our review below. Continue reading Review: LIGHTNING RETURNS:FINAL FANTASY XIII OST PLUS
I always figured that Mario Kart would be the last hold out from Nintendo, doomed to host cheesy synth sounds for its soundtracks for all eternity. We’ve seen Super Mario and The Legend of Zelda get the orchestral treatment, but Mario Kart is a party game, so when Mario Kart 8 was announced, I didn’t expect anything new on the sound front.
I was mistaken, however, as Nintendo has really gone all out once again for this score. Given the time and attention that the large sound team at Nintendo put into the game, including contributions from Shiho Fujii, Atsuko Asahi, Ryo Nagamatsu, Yasuaki Iwata, and direction by Kenta Nagata, I thought we should dig in and take a look at what they’ve accomplished.
Read impressions below. Continue reading Review: Mario Kart 8 Soundtrack
I had the opportunity to review the original Diablo III soundtrack, and I noted that while it was great in its own right, it didn’t feel like it belonged to the Diablo universe. More so, it felt like the world of Diablo told through the musical stylings of World of Warcraft. Diablo III: Repear of Souls takes a different direction, with composer Derek Duke acting as audio lead, allowing for a new soundscape to unfold.
Does this change have a lasting impact on the score? Read our full review below. Continue reading Review: Diablo III: Reaper of Souls
Nippon Ichi Software’s Tenpei Sato returns with another zany RPG score in line with a lot of his past works. This time, we get a playfully dark atmosphere with a strong western vibe that goes quite well together. There are two discs to dig into if you managed to pick up the limited edition, and a single disc sampler if you grab the standard edition on the NISA store.
What drew my attention to the score initially was a contribution by NieR vocalist Emi Evans. Does her track and the rest make for a memorable experience? Read more below. Continue reading Review: The Witch and the Hundred Knight
Here’s another taste of Taito after the review of Darius II earlier this week.
Bubble Bobble is easily one of my favorite games on the NES. An emphasis on food, secret levels, a drunken last boss, and of course, bubbles make it one of the most memorable NES games in my mind, so the music evokes a certain sense of nostalgia in me.
Taito has released the arcade soundtrack as well as that of Bubble Memories on iTunes Japan, so I thought it would be a good time to jump back into my youth and given them a listen. Continue reading Review: Bubble Bobble and Bubble Memories Original Soundtracks
Taito’s Hisayoshi “OGR” Ogura did quite a job on the Darius series. The quirky shooter title has some equally interesting music, and this version stands out even further as the Mega Drive version, so get ready for some tasty FM synthesis in our review below. Continue reading Review: DARIUS II ORIGINAL SOUNDTRACK -MD ver.-