Tag Archives: Sega Genesis

Review: SONIC THE HEDGEHOG 25TH ANNIVERSARY SELECTION

It’s hard to believe Sonic is over 25 years old. There have been good times, and there have been bad times, but one thing that’s always been particularly great about the series is the music. SEGA put together a two-disc “best of” compilation album of tracks from across the entire franchise and released them this past summer. The album features a more upbeat and poppy “Blue” disc and a darker and grittier “Black” disc.

The blue disc features classics such as the classic FM synthesis pop tune that started it all, “Green Hill Zone,” and the high-flying and majestic “Sky Sanctuary Zone” from Sonic & Knuckles. There’s the carnvial-like atmosphere of “Palmtree Panic” with its cheering crowds, the tribal “Mt. Red: A Symbol of Thrill,” and the dance tune, “Join Us 4 Happy Time.” We then get into the upbeat, inspirational rock that modern Sonic has come to be known for. “That’s the way I like it” gives us ska, “Neo Green Hill” combines 8-bit sounds with crunched down modern ones, and “Wave Ocean” is a cool fast-paced rock track with lightning-fast percussion. There’s the pumping “Theme of Metal City,” the adventurous and mariachi-flavored “A New Venture,” DNB and strings in “Windmill Isle,” and spacey synths in “Reach for the Stars.” One of my favorites, “Escape from the City,” appears in its Sonic Generations remix form, while “Beyond the Speed of…” is a super catchy pop-infused rock track from Sonic Runners, which we previously reviewed.

The black disc is heavier on the metal and synth syide. “Chemical Plant Zone” from Sonic the Hedgehog 2 is not only one of the greatest tracks from the series, but one of the most unique with its super funky layered bass. There’s chugging electronics in “Death Egg Zone Act 1” from Sonic & Knuckles, spunky rock in “Skydeck A Go! Go!,” and danger and grit in “Vengeance is Mine.” “For True Story” goes trip hop, “Rain Canyon” brings in octave-jumping slap bass and rock organ, and “Theme of Sonic the Hedgehog (2006)” sports big strings and rock, creating a cool hybrid. The ascending strings, orchestral hits, and buzzing bass in “Crisis City” stand out, as does the ominous and brooding synth sweeps and desolate sound of “Un-gravify.” Majestic and epic are good words to describe “Super Sonic vs. Perfect Dark Gaia,” while “Planet Wisp” sports a lovely piano ballad on top of funky bass and energetic percussion.

As somebody who owns many Sonic soundtracks, I still appreciated this collection as a historical look at the series. It’s changed direction a lot over the years, but they’ve always done a great job emphasizing speed with super catchy music, whether in synth pop or rock styles. Pick it up on CD Japan if you’re interested.

Review: Hiro 30th Anniversary Album Thank you for listening!

Hiro may not be a household name, but you’ve likely heard his music. He’s the legend behind many of the earliest SEGA soundtracks, including those for Hang-On, Fantasy Zone, After Burner, and more. Catchy, technically impressive, and incredibly prolific, this album demonstrates all of these and more with one disc of “best of” material from his 30 years in the business, and a second disc of arrangements by Hiro and others many of which are entirely new to this collection.

So much of this music is amazing, from the chugging 1985 rock synths from Hang-On, the infectious catchiness of Space Harrier, the swanky swing in Enduro Racer, the playful and iconic Fantasy Zone, and the realistic jazz, pop, and exotic flavors from Out Run. There was fantastic ’90s rock with After Burner, sticky-sweet pop with Dynamite Dux, epic fantasy and explosive ’80s synth rock with Sword of Vermilion (one of my personal favorites), the comedy of Rent-a-Hero, and more modern dance, grunge, J-pop, and J-rock with his Sega Saturn era contributions.

The remix disc features all of the same songs, but arranged. There’s a lot of jazz to be had with SEGA’s [H.] band, a classy jazz ensemble called Akai Ryu-sei, and arrangements from Hiro himself from across the ages. Some are simple synth upgrades to the originals, while others are full-fledged jazz renditions, but all are tastefully done. There’s also a funky and wild dance/chiptune take on Sword of Vermilion by none other than Hip Tanaka, a retro synth/chiptune spin on Dynamite Dux by Omodaka, a big anime-style vocal opening from Rent-a-Hero, and a dreamy funk fest by Taito composer Shohei Tsuchiya with Crackin’ DJPART2.

So, let’s get on to the bad news. Unfortunately this album is not being sold through any regular soundtrack import sites. Your best bet is to hit Amazon or eBay if you’re looking for this one. There will be mark ups, but it’s a fantastic bit of history chronicling an unsung hero in game music.