SuperSweep was tapped to provide a remixed BGM mode for the Nintendo Switch and PlayStation 4 shmup, ESP Ra.De. Ψ. Given Hosoe-san and SuperSweep’s history with this game genre, you can bet they knew just want to do. The album features two discs, the first of which are in the in-game remixes, and the second of which are extended mixes of ten of the tracks. There’s also a non-stop mix available as a bonus disc for anyone order from the SuperSweep store.
The soundtrack featured original music by Masahiro Kusunoki and Tetsuya Mizoguchi, but the entire SuperSweep team and several friends contribute remixes to the remixed BGM mode. The album opens with the dreamy “ESP Person” before the pumping and fittingly titled “”DESPERATE SCHOOL” and fast-paced “NIGHTMARE” come in. Each artist on the album takes a crack at “RAGING DEICIDE,” a synth-heavy anthem that is featured no less than six times, all by different arrangers. Takahiro Eguchi’s version is drum-heavy and glitchy, Ayako Saso’s applies less emphasis on synths and adds shredding electric guitar and octave-jumping bass, Fumihisa Tanaka’s version is more driving with epic pads and arpeggiated bass, and Atomic’s remix is searing with an increased tempo and layered synths. It’s interesting to hear so many different takes on the same theme. “ACT IN JUDGE” is more bubbly and upbeat while “WANGAN RAPID LINE 2nd” glides with some nice electric piano work. I love the Metroid-esque “FAIRIES FEAR” with guttural bass and sparse percussion, and the three-part sequence starting with the surprisingly chill “RAGE” with dreamy pads and measured drums, which morphs into “WING” with added epic choir, which again morphs into “MADNESS” with added distorted choir and screams and screeching in the background. The closing track, “SNOW ILLUSION,” brings soothing bells and closes out on a reflective note.
The album is available for import from CD Japan, and the bonus disc is available from purchasing direct from the SuperSweep shop in Japan only.
Like SuperSweep? Like rave music? SuperSweep’s Blastrave Compilation -Burst Rave- is an album of original electronic music by SuperSweep and friends. While it’s all original music, it’s not to unlike their electronic game soundtracks. It all begins with pumping trance in the title track, “BLASTRAVE,” before the catchy “Blast the 90’s” jumps in with dance-y piano, poppy synth work, and English pop vocals. Next up is the explosive “Tear It,” the dreamy electronic-rock mix “Over Power” with some incredible guitar solos, and the bubbly “Start Running” with Japanese pop vocals. “Enter the Rave” combines pounding drum ‘n’ bass with vocal pop segments, “Kick Harassment” goes hardcore, and “Blast Off” gets a glittery and adventure-infused sound. There’s the glitchy “Back to the 90s,” the exotic rhythmic excursion “Barking night” by Shinji Hosoe himself, the dreamy and warm “Summer Line #GadgetSwitch” by Nobuyoshi Sano, and a very unsettling hardcore track titled “Gemini” with weird distressing spoken segments, pumping bass, and screeching synths. The album closes with the catchy trance tune, “BLASTRAVE 2020,” by Ayako Saso. The second disc includes a non-stop megamix of the album.
It’s great to see SuperSweep publishing some of their original works, and inviting friends both known and lesser-known to the party. If you’re looking for a hip electronic music album, you can import Blastrave Compilation -Burst Rave- on CD Japan.
Can you believe it’s been over 20 years since Ridge Racer 4 was released? The soundtrack holds up remarkably well, combining sleek electronic, funk, and RNB sounds, which is why it’s wonderful to have a fully remastered version released by SuperSweep Records to celebrate this momentous occasion. The highlight of the R4 -THE 20TH ANNIV. SOUNDS- album, however, is the first disc, which features 16 brand new remixes. An all-star cast tackle the arrangements, including Ridge Racer alums Hiroshi Okubo, Shinji Hosoe, Ayako Saso, Kohta Takahashi, Ryo Watanabe, Nobuyoshi Sano, Tetsukazu Nakanishi, Takayuki Aihara, Jinbae “ESTi” Park, and many more, making for a wonderful reunion of sorts. The remixes are quite remarkable, fleshing out the original songs with additional instrumentation and upgraded production, liberated in a way without having to worry about infringing on the in-game action. Those who purchases this album on the SuperSweep store will also earn a special disc of extended-play mixes crafted by Okubo and Hosoe. The set comes with a cardboard slipcase and is adorned with the lovely yellow stylings and aesthetic of the original, including commentary (in Japanese) by some of the sound team and a sticker sheet. This is a collection any Ridge Racer fan will want to get their hands on. It’s available to import via CD Japan.
Many fans were looking forward to getting the Protect Me Knight 2 (Gotta Protectors) soundtrack, and after SuperSweep released a collection of music from the game dubbed Volume 1, it was only a matter of time before Volume 2 surfaced.
This album is best thought of as an accompaniment album with alternate versions of many of the songs. You’ll find the adventurous beat-’em-up main theme, militaristic marches, comical battle themes, spooky atmospheres, and tons of tunes to pump you up courtesy of Yuzo Koshiro and the SuperSweep sound team. Included are up-tempo versions, long versions, then a smattering of FM (most of disc 1), MKIII, Famicom, Game Boy, and OPN versions of various themes from the game. There’s also a full production remix that brings in a cheesy big band and male vocals sounding like something from a variety show.
It’s available at CD Japan if you want to give it a spin.
More Tekken! SuperSweep is at it again, with both Tekken 7 and Tekken Revolution having recently been released. Expect more dubstep and electronic action from the Bandai Namco team and friends, including tracks from SuperSweep’s own Shinji Hosoe and Ayako Saso in addition to Yuu Miyake, Nobuyoshi Sano, and the rest of the gang. Taku Inoue handles the bulk of the music this time around, and as such, there’s a little pop mixed in with this dubstep.
He opens with the grungy rock/electronic “New World Order” with anthemic male vocals, and moves into industrial with “Blood, Sweat, and Fists.” There are laser-like synths in “Everlasting Heaven” and a distorted and searing soundscape present in “Self Destruct.” Yuu Miyake delivers “El Condor,” a trippy electronic track with an ethereal atmosphere and lots of reverb. There’s the dancey “Lunar fringe theory,” the pumping “Chopper” with its crazy slap bass, and even some flamenco flavor in “Bassamenco” and “Françoise’s Bassline.” Vocoder vocals are found in “Brasil evolution,” clean acoustic guitar in “lost in a station,” and Inoue’s uplifting rock in “Night rises” and “Kodama Starship,” the latter of which almost sounds like something out of Katamari Damacy with its vocal work.
Tekken Revolution is published by SuperSweep Records and is available for import from CD Japan if you’re interested.
This album has likely been on a lot of people’s most-wanted list. Protect Me Knight was released in North America in the Xbox Live Indie Arcade, developed by the studio of renowned game music composer Yuzo Koshiro, with 8-bit-style tunes written by Koshiro himself. There was never an official soundtrack release, but with the development and launch of Protect Me Knight 2 in Japan, there’s finally a soundtrack release featuring Koshiro with legends from across the shmup and 8-bit scenes, including SuperSweep’s Shinji Hosoe, OGR, Motoaki Furukawa, and Hiro. It’s an impressive line-up, and the album comes courtesy of SuperSweep.
The catchy main theme and the upbeat “Retro-Nitro-Girl” are sure to be fan favorites. The album includes the 8-bit soundtrack, some up-tempo versions, and original versions of songs before they were created in 8-bit style. It can be purchased at CD Japan.
Fans of SuperSweep head and Scarlet Moon Artists composer Shinji Hosoe may consider looking into last year’s release of the Dragon Saber soundtrack from SuperSweep Records. Following in the style of his more widely known Dragon Spirit soundtrack, Dragon Saber is also one of his earlier works, containing a mix of fantasy and epic shmup soundscapes.
Those who know his work on Dragon Spirit will be right at home with the energetic and upbeat 80s synth work along with the dark and ominous atmospheres that dominate the later areas in the game. With a gritty rock-based final battle theme, a funky piece to accompany the continue screen, and pop to go with the name entry screen, the score is classic Hosoe. The second disc includes selections from the Dragon Spirit soundtrack recreated using the Dragon Saber sound chip. There are also guest arrangements by SuperSweep’s Yousuke Yasui with a bumping retro sound, and by Ancient Corp’s Yuzo Koshiro with powerful electronics and classy brass.
The album also includes artwork from the series and comments in the booklet. It’s currently available on CD Japan.
It’s E3 week, and we thought it would be a good time to announce the launch of Scarlet Moon Artists, an artist group dedicated to providing studios both big and small with top music talent from around the globe. Included are: