SuperSweep is at it again, publishing obscure music that you won’t hear anywhere else. This time it’s the PlayStation Vita title, Omega Labyrinth featuring Daisuke Nakajima as the primary composer with a number of vocal anime-style themes thrown into the mix. The game itself is a challenging roguelike dungeon crawler with a story centered around the protagonist seeking out a grail in order to request a wish to increase her breast size.
In terms of the music, it follows the upbeat anime formula. The opening vocal theme, “Brave Heart,” offers sticky sweep pop rock with female vocals that are silly and energetic, followed by another vocal track that is more acoustic and folksy in nature. There’s everything here from cool ninja rock with shakuhachi and shamisen to classic J-rock with impressive guitar solos. You’ll find the usual suspects for this type of game: tense dungeons, epic boss battles with explosive rock, and a lovely sweeping orchestral pop tune to close out the game.
The album is available at CD Japan if you’re interested.
SuperSweep Records is at it again, bringing music you wouldn’t expect out on CD with the release of the soundtracks to the PlayStation Vita games Bullet Girls 1&2. The album features an eclectic selection of electronic, orchestral, and pop music composed by Masanori Hikichi, including the catchy J-rock title themes, “Faith” (Bullet Girls 1) and “One’s Bullet” (Bullet Girls 2), both featuring vocalist Tifan.
Between military marches, smooth synth pop, funk, and pop rock, there’s something for everyone with this release. There’s sweeping orchestral, spooky trip hop, and even dance music. It’s all wonderfully produced, and even some of the darker tracks maintain an upbeat atmosphere. They also include a number of jingles from the game and the instrumental versions of the vocal tracks.
Bullet Girls 1&2 Soundtrack can be imported from CD Japan if you’re interested.
This one may have slid by your radar earlier this year, but you’ll want to check it out. SuperSweep Records looks back at this PlayStation 3 and PlayStation Vita title offering a cool blend of electronic music with traditional Japanese instruments by Patapon and LocoRoco composer Kemmei Adachi.
You’re in store for some really amazing atmospheres, starting out of the gate with the opening track, which features pumping electronics and the addition of Japanese koto, shakuhachi, and vocals. There’s plenty of funk throughout, tense stealth espionage cues, a hauntingly beautiful ambient piece with sound effects and siren-like female vocals, a lounge track with flamenco-like guitar and koto, what I’m calling ninja dance music with bumpin’ bass, crunchy and glitchy electronic offerings, and an amazing 90s dance track that will get the nostalgia flowing.
Pick Ukiyo no Shishi/Ukiyo no Roushi up on CD Japan if you want to try something different. There’s not a whole lot of music like this out there.
More Tekken! SuperSweep is at it again, with both Tekken 7 and Tekken Revolution having recently been released. Expect more dubstep and electronic action from the Bandai Namco team and friends, including tracks from SuperSweep’s own Shinji Hosoe and Ayako Saso in addition to Yuu Miyake, Nobuyoshi Sano, and the rest of the gang. Taku Inoue handles the bulk of the music this time around, and as such, there’s a little pop mixed in with this dubstep.
He opens with the grungy rock/electronic “New World Order” with anthemic male vocals, and moves into industrial with “Blood, Sweat, and Fists.” There are laser-like synths in “Everlasting Heaven” and a distorted and searing soundscape present in “Self Destruct.” Yuu Miyake delivers “El Condor,” a trippy electronic track with an ethereal atmosphere and lots of reverb. There’s the dancey “Lunar fringe theory,” the pumping “Chopper” with its crazy slap bass, and even some flamenco flavor in “Bassamenco” and “Françoise’s Bassline.” Vocoder vocals are found in “Brasil evolution,” clean acoustic guitar in “lost in a station,” and Inoue’s uplifting rock in “Night rises” and “Kodama Starship,” the latter of which almost sounds like something out of Katamari Damacy with its vocal work.
Tekken Revolution is published by SuperSweep Records and is available for import from CD Japan if you’re interested.
If you’re a fan of Yoko Shimomura (you are), then you’ll likely want to check out the V.D. -VANISHMENT DAY- SOUNDTRACK. The game is a mobile/web strategy RPG with anime-inspired visuals, and the soundtrack offers up classic Yoko Shimomura with elegant orchestral and piano work over an upbeat action-oriented electronic foundation. SuperSweep Records has published the soundtrack, which features a number of great moments.
From the opening notes of “Departure,” you’ll think you’re listening to Shimomura’s counterpart to Hitoshi Sakimoto’s Valkyria Chronicles score with its militaristic march that seemingly prepares you for battle. From there, though, there’s nothing too serious. All of the combat tracks are tinged with a playfulness that ensures an upbeat listening experience. Both “Built a Fire” and “Sortie!” sport cool and sleek electronic backings, with “Sortie!” bringing in a nice woodwind melody. “Rock on the Heavens” brings in explosive drum ‘n’ bass percussion with a big orchestral sound and romantic piano sections that are classic Shimomura. There’s the tense and ominous “Just Beat That Which Lies Ahead of the Road,” the tragic “con fuoco,” the beautiful sweeping “At Night Where Scarlet Flowers Bloom,” the pumping and driving “Nervous Vision,” the chaotic “The Tempest” with its melancholy breaks, the decisive “The Brave Force,” the triumphant “Our Truth,” the tense and mysterious “Instability,” and the heartbreaking piano and strings closer, “No One Knows the Answer,” which hints at something dark and unsettling.
In all, this is solid work from Shimomura, and there aren’t any duds to be found across the album’s 40+ minutes. It’s available at CD Japan for only $20 USD if you’re interested.
While I’m pretty terrible at fighting games, Tekken is the only franchise I attempt to play. I’ve been with it since the first game, a launch title for the original PlayStation, and while I’ve been out of the game for a while, I’ve kept up with the music. SuperSweep has published a number of recent Tekken albums, and Tekken 7 is no different, bringing a selection of well-produced electronic music from Bandai Namco’s usual cast of composers.
This time around, each stage gets two variations. There’s lots of dubstep to be heard throughout, and the second variation of each stage tends be be heavier. Fans can look forward to the searing opening theme, “Heat Haze Shadow” with its hard-hitting electronics and robotic vocals. For stage themes, the Japanese flavored “Dojo” should be an immediate hit, along with the dancey “Equator Line,” the chilly “Arctic Snowfall,” the mysterious and melodic “The day before the glass matrix,” the epic choir and electric guitar of “Volcano,” and the grungy electronic-rock hybrid of “Devil Kazumi.” The album ends with a lovely vocal duet that combines acoustic guitar and glitchy dubstep in “The Long Goodbye.”
Tekken fans will want to give this album a spin. It’s available on CD Japan, and in typical SuperSweep fashion, buying directly from SuperSweep Records snags you a bonus DJ mix disc full of music from Tekken 7 and other Tekken titles, and CD Japan also has you covered there for an additional cost.
While Druaga Online -The Story of Aon- was never released outside of Japan, I think a lot of RPG fans can get behind an arcade-based RPG with online four player co-op. What drew my attention to the soundtrack was the eclectic combination of composers, which includes SuperSweep’s Ayako Sasao, StudioMINSTREL’s Hiroto Saito, and Bandai Namco composers Junko Ozawa and Hiroyuki Kawada. True to the eclectic nature of the team, the soundtrack offers upbeat orchestral, electronic, and rock in adventurous fantasy fashion.
Listeners will enjoy the infectious synth pop castle theme as well as the main character themes, which include playfully epic rock (“Gilgamesh”), bubbly electonics (“Ki”), and even industrial (“Xeovalga”). The map themes will also stand out with the exotic woodwinds of “Windy Prairie,” the grand orchestral stylings of “Hanging Gardens,” and the funky Castlevania-esque “Floating Island,” which even sports bagpipes at one point. Rounding out the two-disc collection are the gloriously defaint “Heavenly Palace,” the explosive final battle theme, and the triumphant and rustic ending theme complete with harpsichord.
Check out SuperSweep’s soundtrack sampler on YouTube and pick out the soundtrack on CD Japan if you’re interested.
As a huge fan of the DJMAX series, I had high hopes for SUPERBEAT: XONiC. Would they be able to retain the high quality music and addictive gameplay from the DJMAX series? The answer is yes. I felt right at home among the wonderfully produced pop, rock, and electronic music featured, and the limited edition set we got our hands on is one of the most impressive even compared to the DJMAX special edition releases. So much so, in fact, that we had to record an unboxing video, which you can see above.
There’s tons of music to love, and I didn’t find any of it outright disappointing or overly cheesy. Some of my favorites include Takahiro Eguchi’s infectiously upbeat electronic opener, “STARGAZER,” M2U’s ultra-funky “Nodding Hawk” (featured in the unboxing video) and vocaloid “March of Fear,” Makou’s electronic pop ballad, “Lop Nur,” sticky sweet pop tune, “One Juicy Step,” the funky ballad “HINAGIKU,” and Ragnarok Online-esque “Murky Waters.” Paul Bazooka goes dubstep, incorporating some neat vocal snippets in “Kitty From Hell,” while Nauts offers the energetic “CHASER” and cute pop track, “Timeline.” I also enjoyed Sampling Masters AYA (Ayako Saso)’a hard-hitting “Dimension Detonator” and playfully upbeat “Peach Fuzz,” and some authentic metal with “HEAVY DAY” from Guilty Gear X and NieN’s two-part “Souls of Vampire” and stemage-flavored “Systematic Chaos.” Fan-favorite pop trio 3rd Coast offer the sweet “Love is Real,” Kjun and Flash Finger present a tasteful mainstream pop track with great vocals called “Collaboration,” and the ranking track, “Rise to the Top,” is short but sweet, coming with a catchy Asian-inspired vibe.
In all, I couldn’t be more pleased with this collection. The limited edition comes in a fancy box that houses a two vinyl “best of” compilation as well. Learn more on the SUPERBEAT: XONiCofficial website!
This album has likely been on a lot of people’s most-wanted list. Protect Me Knight was released in North America in the Xbox Live Indie Arcade, developed by the studio of renowned game music composer Yuzo Koshiro, with 8-bit-style tunes written by Koshiro himself. There was never an official soundtrack release, but with the development and launch of Protect Me Knight 2 in Japan, there’s finally a soundtrack release featuring Koshiro with legends from across the shmup and 8-bit scenes, including SuperSweep’s Shinji Hosoe, OGR, Motoaki Furukawa, and Hiro. It’s an impressive line-up, and the album comes courtesy of SuperSweep.
The catchy main theme and the upbeat “Retro-Nitro-Girl” are sure to be fan favorites. The album includes the 8-bit soundtrack, some up-tempo versions, and original versions of songs before they were created in 8-bit style. It can be purchased at CD Japan.
Ridge Racer fans should take note of a recent release from SuperSweep celebrating 20 years of the series. Ridge Racer 20th Anniversary Remix is a two-disc collection featuring arrangements from across the franchise by several Bandai Namco sound team composers, both past and present. The second disc is dedicated to lengthy club mixes, and those who purchase the album on SuperSweep’s online store will also get a bonus disc with an hour-long club mix.
Electronic music fans will be right at home among the dance, house, and dubstep offerings. The hard-hitting “Disco Ball” from the original Ridge Racer, the epic choir in “Grip” from Ridge Racer 2, the jazzy “Quiet Curves” from Ridge Racer 4, the deep house experience “Sliding Beat” from Ridge Racer (VITA), and the vocal stylings of Takenobu Mitsuyoshi on “Ridge Racer” from Ridge Racer USA provide just a few of the memorable moments on this album.