Like SuperSweep? Like rave music? SuperSweep’s Blastrave Compilation -Burst Rave- is an album of original electronic music by SuperSweep and friends. While it’s all original music, it’s not to unlike their electronic game soundtracks. It all begins with pumping trance in the title track, “BLASTRAVE,” before the catchy “Blast the 90’s” jumps in with dance-y piano, poppy synth work, and English pop vocals. Next up is the explosive “Tear It,” the dreamy electronic-rock mix “Over Power” with some incredible guitar solos, and the bubbly “Start Running” with Japanese pop vocals. “Enter the Rave” combines pounding drum ‘n’ bass with vocal pop segments, “Kick Harassment” goes hardcore, and “Blast Off” gets a glittery and adventure-infused sound. There’s the glitchy “Back to the 90s,” the exotic rhythmic excursion “Barking night” by Shinji Hosoe himself, the dreamy and warm “Summer Line #GadgetSwitch” by Nobuyoshi Sano, and a very unsettling hardcore track titled “Gemini” with weird distressing spoken segments, pumping bass, and screeching synths. The album closes with the catchy trance tune, “BLASTRAVE 2020,” by Ayako Saso. The second disc includes a non-stop megamix of the album.
It’s great to see SuperSweep publishing some of their original works, and inviting friends both known and lesser-known to the party. If you’re looking for a hip electronic music album, you can import Blastrave Compilation -Burst Rave- on CD Japan.
SuperSweep Records is always full of surprises. These usually come in the form of long-lost videogame soundtracks released for the first time, but this time, it comes in the form of an original Japanese pop/rock album with SuperSweep artists on production duties recorded at MONACA STUDIO, home of the team behind the soundtrack of NieR. It’s quite a combination, although the album is strictly pop music.
Piramirise serves up a variety of styles, from the jubilant rock anthem, “JUMP!” and the hip foot-tapper, “For the Future,” to the sweet and bouncy “Dead or futarikiri” and the funky and uplifting “Flying High!” There’s the sweet “Maybe Maybee Maybe,” a beautiful acoustic guitar and piano ballad in “Kanji,” and the incredibly futuristic and cool “Secrets makes shapes of life.” EDM makes an appearance in “Ageha” and “Perfect Place,” whereas “Sainposuto” takes a turn for the dramatic, and “Emotion” closes things out with a sweeping string and brass arrangement.
There’s something here for everyone, and it’s a lot of fun to see SuperSweep artists take a crack at various pop styles. This is a rather unusual release from SuperSweep as it doesn’t feature any videogame music, but fans of the SuperSweep team may want to give it a spin. The album can be imported via CD Japan.
Can you believe it’s been over 20 years since Ridge Racer 4 was released? The soundtrack holds up remarkably well, combining sleek electronic, funk, and RNB sounds, which is why it’s wonderful to have a fully remastered version released by SuperSweep Records to celebrate this momentous occasion. The highlight of the R4 -THE 20TH ANNIV. SOUNDS- album, however, is the first disc, which features 16 brand new remixes. An all-star cast tackle the arrangements, including Ridge Racer alums Hiroshi Okubo, Shinji Hosoe, Ayako Saso, Kohta Takahashi, Ryo Watanabe, Nobuyoshi Sano, Tetsukazu Nakanishi, Takayuki Aihara, Jinbae “ESTi” Park, and many more, making for a wonderful reunion of sorts. The remixes are quite remarkable, fleshing out the original songs with additional instrumentation and upgraded production, liberated in a way without having to worry about infringing on the in-game action. Those who purchases this album on the SuperSweep store will also earn a special disc of extended-play mixes crafted by Okubo and Hosoe. The set comes with a cardboard slipcase and is adorned with the lovely yellow stylings and aesthetic of the original, including commentary (in Japanese) by some of the sound team and a sticker sheet. This is a collection any Ridge Racer fan will want to get their hands on. It’s available to import via CD Japan.
As a huge fan of Yuzo Koshiro and his work on ActRaiser in particular, I couldn’t be more excited that his 1991 Synphonic Suite from ACTRAISER got a 2018 update with new arrangements and a new performance by the New Japan BGM Philharmonic Orchestra (NJBP). The concert featured an original opening theme and Koshiro’s music from The Scheme, Streets of Rage, Streets of Rage 2, Etrian Odyssey, and of course, Actrasier. Most are presented as short medleys of a few songs from the game and are fantastic, but the highlight for me is the ActRaiser soundtrack performed in its entirety, re-establishing itself in my mind as Koshiro’s longstanding masterpiece. The CD presents the music as a tidy listening experience without the MC portions. It’s also a treat to watch the concert itself on Blu-ray, featuring an exuberant and enthusiastic concert master and a LOT of talking. There’s actually more talk by play time than music, so if you know Japanese, there’s likely a lot to glean from the MC/conductor and Koshiro’s on-stage discussions. Watching the ActRaiser suite brings a whole new appreciation for breadth and depth of the score and highlights the solo performances that are a part of the new arrangements. As usual, we have SuperSweep to thank for publishing the album which contains both the music CD and Blu-ray disc tucked inside a slipcase with snazzy artwork. As “Archives 1,” I hope there’s more to come from the NJBP in the future.
The NJBP Concert Archives 1 ~ANCIENT FESTIVAL~ album is an exclusive to the SuperSweep store, but it’s worth the trouble to try to get your hands on.
Listeners return to the stage of destiny with SOULCALIBUR VI by the Bandai Namco sound team and guest Yukihiro Jindo, courtesy of SuperSweep Records. Fans of the epic orchestral stylings of the series will feel right at home with four discs of music with Junichi Nakatsuru at the helm. Other Bandai Namco team members contributing are Yoshihito Yano, Rio Hamamoto, Syuri Misaki, and Yu Sugimoto, all of whom collectively provide most of the music from the first disc with Jindo handling the rest of the massive score, including much of the cinematic and story cues. I found myself enjoying the contributions by Nakatsuru and Hamamoto the most, but there’s a lot to like throughout especially with Jindo’s more emotionally varied contributions. Some of my favorites are Nakatsuru’s epic opening “The Brave New Stage of History,” Yano’s decisive and uplifting “Undying Legend” (which gets a lovely contemplative take by Jindo in “Fated Soul”), and Hamamoto’s terrifying and tense “Deadland Call” and searing and guitar-laden “The Evil Flame.” The booklet includes the track list in both English and Japanese, credits for every track including live performers, and commentary from all of the composers (in Japanese only).
The four-disc soundtrack is available via SuperSweep Records and can be imported from CD Japan.
You’re probably like me and don’t know a whole lot about the JRPG series Heracles no Eikou (Glory of Heracles). That’s because the games never left Japan. However, when our colleagues at SuperSweep, in their undying quest to release classic game music to the masses, announced this six-CD set, we definitely wanted to check it out. The box set includes the soundtracks to all four numbered games in the series (the first two on Famicom and the second two on Super Famicom), a Game Boy spin-off, a disc featuring a remastered arrange album and unused music, and a disc of all-new arrangements created just for this set.
Having zero expectations, I found myself impressed with the catchiness of many of the melodies and was particularly drawn to the Glory of Heracles II and IV soundtracks as they have a strong classical flavor not too unlike Dragon Quest, which is fitting given that many note that Glory of Heracles seems heavily inspired by Dragon Quest. How often is it that you get to hear an authentic Famicom or Super Famicom RPG soundtrack for the first time these days? Be on the lookout for “Mountain of the Spiraling Wind” and “The Wings of Pegasus,” among many others. The arrangements, performed by the Data East house band, GAMADELIC include jazz fusion and vocal arrangements. They’re expertly done and left me wanting even more! The included booklet (in Japanese) also has composer breakdowns and commentary from the music and game development team, which is a nice touch.
Pick up the album on CD Japan if you’re interested in giving it a spin.
Many fans were looking forward to getting the Protect Me Knight 2 (Gotta Protectors) soundtrack, and after SuperSweep released a collection of music from the game dubbed Volume 1, it was only a matter of time before Volume 2 surfaced.
This album is best thought of as an accompaniment album with alternate versions of many of the songs. You’ll find the adventurous beat-’em-up main theme, militaristic marches, comical battle themes, spooky atmospheres, and tons of tunes to pump you up courtesy of Yuzo Koshiro and the SuperSweep sound team. Included are up-tempo versions, long versions, then a smattering of FM (most of disc 1), MKIII, Famicom, Game Boy, and OPN versions of various themes from the game. There’s also a full production remix that brings in a cheesy big band and male vocals sounding like something from a variety show.
It’s available at CD Japan if you want to give it a spin.
SuperSweep is at it again, publishing obscure music that you won’t hear anywhere else. This time it’s the PlayStation Vita title, Omega Labyrinth featuring Daisuke Nakajima as the primary composer with a number of vocal anime-style themes thrown into the mix. The game itself is a challenging roguelike dungeon crawler with a story centered around the protagonist seeking out a grail in order to request a wish to increase her breast size.
In terms of the music, it follows the upbeat anime formula. The opening vocal theme, “Brave Heart,” offers sticky sweep pop rock with female vocals that are silly and energetic, followed by another vocal track that is more acoustic and folksy in nature. There’s everything here from cool ninja rock with shakuhachi and shamisen to classic J-rock with impressive guitar solos. You’ll find the usual suspects for this type of game: tense dungeons, epic boss battles with explosive rock, and a lovely sweeping orchestral pop tune to close out the game.
The album is available at CD Japan if you’re interested.
SuperSweep Records is at it again, bringing music you wouldn’t expect out on CD with the release of the soundtracks to the PlayStation Vita games Bullet Girls 1&2. The album features an eclectic selection of electronic, orchestral, and pop music composed by Masanori Hikichi, including the catchy J-rock title themes, “Faith” (Bullet Girls 1) and “One’s Bullet” (Bullet Girls 2), both featuring vocalist Tifan.
Between military marches, smooth synth pop, funk, and pop rock, there’s something for everyone with this release. There’s sweeping orchestral, spooky trip hop, and even dance music. It’s all wonderfully produced, and even some of the darker tracks maintain an upbeat atmosphere. They also include a number of jingles from the game and the instrumental versions of the vocal tracks.
Bullet Girls 1&2 Soundtrack can be imported from CD Japan if you’re interested.
This one may have slid by your radar earlier this year, but you’ll want to check it out. SuperSweep Records looks back at this PlayStation 3 and PlayStation Vita title offering a cool blend of electronic music with traditional Japanese instruments by Patapon and LocoRoco composer Kemmei Adachi.
You’re in store for some really amazing atmospheres, starting out of the gate with the opening track, which features pumping electronics and the addition of Japanese koto, shakuhachi, and vocals. There’s plenty of funk throughout, tense stealth espionage cues, a hauntingly beautiful ambient piece with sound effects and siren-like female vocals, a lounge track with flamenco-like guitar and koto, what I’m calling ninja dance music with bumpin’ bass, crunchy and glitchy electronic offerings, and an amazing 90s dance track that will get the nostalgia flowing.
Pick Ukiyo no Shishi/Ukiyo no Roushi up on CD Japan if you want to try something different. There’s not a whole lot of music like this out there.