Tag Archives: Synths

Review: Castlevania Music From The Netflix Original Series

The highly anticipated Castlevania series has finally hit Netflix, and Lakeshore Records has published the meaty hour-long soundtrack by composer Trevor Morris (who coincidentally has both first and last name shared with Castlevania lore). He’s provided an interesting and intense score featuring pulsating synth work and a blend of strings and choir that, while unusual to describe, fit in perfectly with the action on screen. Listening to the score without having watched the series, I was immediately drawn to “Main Title” with its oppressive synth swells and Gothic vibe. The rest of the soundtrack was effectively mood setting, but it wasn’t until watching the series and having the context for the music that it really struck me.

“Wallachia,” for example, features a desolate ambiance with gritty electronics that accompanies the world of this Castlevania adventure perfectly. The tense but subdued “Vlad Searches for Lisa” quickly turns to malice with ominous synth work as he discovers her fate, and “There are no Innocents” is a twisted and dark blend of buzzing synths and droning strings. The guttural male choir featured in “Hordes Descend on Targoviste” is effectively terrifying, as are the crunchy synths and choir swells of “Bloody Greist.” Things get more calculating and contemplative in “Bit of Dried Goat,” exotic and mysterious in “We Can’t Turn Away,” and explosive and dangerous in “Trevor Fights the Cyclops.” There’s hope and triumph in “I’m Trevor Belmont,” a sense of finality with heavy percussion hits, a church choir, and a descent into madness with “Let me Kiss You,” and new age synths and angelic choir in “Alucard Rises.” The album closes with the uplifting and hopeful “Hunter, Scholar, Soldier.”

I would have never thought dark pulsating synths would fit so well in the Castlevania universe, but in context, they do. They feel like an unnatural heartbeat chugging away beneath┬ásomber and desolate strings, pads, and choir. While there isn’t a whole lot of music to walk away with and hum here, there is some great brooding music that will take you through the ups and downs of the excellent first season of the series. I’m already looking forward to sinking my teeth in to whatever comes next!

Pick up the album up now on iTunes or wait for the physical release which comes out August 4 on Amazon.

Review: Turrican Soundtrack Anthology

I never had the pleasure of playing many of the games that Chris Huelsbeck became world renowned for during my childhood. Most of my experience with his work has been through his original compositions, all of which I’ve loved. That’s why the Turrican Soundtrack Anthology was such a great opportunity for me to go back and enjoy all the Turrican classics that I missed as a young gamer, and I now understand why people have always been so enamored with these soundtracks.

The Turrican Soundtrack Anthology takes music from across the Turrican series and re-imagines it with upgraded sounds. But don’t let that scare tried and true fans of the classic Turrican scores, as these new renditions are still retro to the core with their catchy melodies intact, fantastic bass synths, and rocking electronic hybrids that are a retro game music fan’s dream.

Read below for more. Continue reading Review: Turrican Soundtrack Anthology

Review: Escape Goat 2 Original Soundtrack

I’m a huge fan of MagicalTimeBean. SoulCaster and Escape Goat have been a lot of fun both in gameplay and music. What used to be a one man show with Ian Stocker expanded this time around, but he still handles the majority of the soundtrack, with one appearance by Disasterpeace.

Does the Escape Goat 2 get the nostalgia flowing like past MagicalTimeBean titles have? Find out below. Continue reading Review: Escape Goat 2 Original Soundtrack