Square Enix has taken the Kingdom Hearts series on tour, and this release represents the first collection of music made widely-available from said tour. A lot of fans have been greatly looking forward to this release, and as expected, they hit a lot of the highlights from across the series.
The album opens with “Destati” with its slow and intense buildup with lots of tension and energy in the brass and percussion sections. The beautiful “Dearly Beloved” gets a slow and measured version with doubled-up piano and harp and an offset xylophone that gives the arrangement a nice twinkle. “Traverse Town” is sleepy and slow, giving way to a nice jazz arrangement, while the rambunctious “Hand in Hand” features rolling snares and a marching band-esque approach. “Journey of KINGDOM HEARTS” offers a little of everything as a medley of locales that touches on tropical, jazz, and spooky. The slow sway of “Lazy Afternoons” is simply perfect, while “The Other Promise” is sometimes somber and other times foreboding, “Another Side” gets tense piano and woodwinds before rock percussion explodes onto the scene, and “Gearing Up” is made regal with big brass added to its playful and bouncy melody. “Destiny’s Union” is slow and dreamy with a doubled-up piano and harp and a flute lead, “The Unknown” is tense with low xylophone notes and steady brass stabs, “The Power of Darkness” gets big brass and percussion and cool triangle and chime work. Finally, “March Caprise for Piano & Strings” is a triumphant and bombastic march.
In all, this might be the definitive way to enjoy the music of Kingdom Hearts! The packaging is also quite nice, coming in a glossy cardboard sleeve. Grab it on CD Japan if you’re interested.
Dissidia Final Fantasy -Arcade- is back with more arrangements of Final Fantasy tunes from Takeharu Ishimoto. We thought the first volume offered a nice compilation of Final Fantasy battle music, even if the arrangements were somewhat straightforward, and that doesn’t change much with Volume 2.
After a dreamy orchestral/rock version of “The Prelude,” the opening track, “Title,” brings back the Dissidia main theme with big choir and orchestra. It’s then on to Final Fantasy arrangements with an uplifting ska-flavored take on the overworld theme from the original Final Fantasy and an orchestral/metal take on the Final Fantasy II overworld. “Crystal Tower” from Final Fantasy III gets into more ska territory, while “Within the Giant” from Final Fantasy IV gets thumping bass and dreamy guitars and synths. “Final Battle” from Final Fantasy X pairs Hamauzu-style piano with rock elements, while “Fighters of the Crystal” from Final Fantasy XI offers a nice blend or orchestral and rock that feels laid back despite the instrumentation. “Struggle for Freedom” from Final Fantasy XII also offers a measured rock/orchestral arrangement, while “Boss Battle” brings in glitchy electronic elements and rock to the original with a nice uplifting gallup. “Ultima” from Final Fantasy XIV gets a nice Celtic rock spin with some really driving metal moments, while “Servant of the Crystal” from Final Fantasy Type-0 gets female choral singing of the main theme with some excellent electric guitar work. Final Fantasy Tactics gets a metal version of the ominous battle theme, “Battle on the Bridge,” a bumpin’ dance version of “Unit Selection,” and a dance-y electronic/folk spin on “Ultema.”
It’s certainly a mixed bag, but there are some cool arrangements among the two discs of music featured. Grab the album on CD Japan if you’d like!
If you enjoyed Mitsuto Suzuki’s Mobius Final Fantasy soundtrack, you should be ecstatic that Square Enix has released a massive second volume comprising three discs of all new music. Prepare yourself for more sweeping orchestral, abstract electronic wizardry, and killer vocal tunes with lots of Final Fantasy references tucked in for good measure.
I’ll start with the amazing “Capricious Cait Sith,” easily my favorite track on the album, which comes as a silly female vocal disco tune with a smooth and funky backing. Vocals are featured prominently throughout, including on the wonderful “Always There” with its ascending acoustic guitar, ethereal pads, and gentle male vocals and the cool RNB production, “Azure Memories,” which sports clean acoustic guitar and female vocals. Backing up, though, the album begins with the big orchestral sounds of “Ring of Braves” with rolling percussion and uplifting piano before diving in to the whimsical “Mogheim” with its lovely piano and Final Fantasy main theme references, the dance-y “Breaker’s Funk” with rhodes piano and funky bass synth, and “Meia’s Theme” with its cool blend of flamenco guitar and strings. There’s a beautiful Christmas version of “Sarah’s Theme” from Final Fantasy XIII-2, a Final Fantasy theme Christmas track titled “Hopebringer,” a rockin’ rendition of the Final Fantasy VII “Fanfare,” which is absolutely perfect, and the explosive metal “Bloodthirst” with powerful percussion and guitar shredding. “The Infinite Warrior” gives us upbeat rock in traditional Final Fantasy style with its bubbly approach and rock organ, and “Battle Princes,” a bumpin’ EDM track that transitions into uplifting piano and strings.
Spanning three discs, there’s a lot of music here to enjoy. I think I enjoyed Mobius Final Fantasy Original Soundtrack 2 even more than the original release. Grab it on CD Japan if you’re so inclined!