SuperSweep Records released the soundtrack to the Nintendo Switch anime-flavored shmup RXN -RAIJIN- back in 2018 featuring music mostly by Raito with a main theme by Yuzo Koshiro and remixes by the SuperSweep team. The album features hip and minimalistic electronic music for the most part with Koshiro’s catchy vocal rock track with big band jazz elements to kick things off. The score sports everything from shredding electric guitars and cool piano to funky bass and exotic didgeridoo. There’s lots of shmup-appropriate drum ‘n’ bass, but also rock and even an orchestral fanfare. The second disc includes extended mixes of most of the tracks as well as two remixes by SuperSweep. The packaging features a giant booklet full of credits and interviews in Japanese as well as artwork and a nice cardboard slipcase.
RXN -RAIJIN- is available from CD Japan if you’re interested.
Like SuperSweep? Like rave music? SuperSweep’s Blastrave Compilation -Burst Rave- is an album of original electronic music by SuperSweep and friends. While it’s all original music, it’s not to unlike their electronic game soundtracks. It all begins with pumping trance in the title track, “BLASTRAVE,” before the catchy “Blast the 90’s” jumps in with dance-y piano, poppy synth work, and English pop vocals. Next up is the explosive “Tear It,” the dreamy electronic-rock mix “Over Power” with some incredible guitar solos, and the bubbly “Start Running” with Japanese pop vocals. “Enter the Rave” combines pounding drum ‘n’ bass with vocal pop segments, “Kick Harassment” goes hardcore, and “Blast Off” gets a glittery and adventure-infused sound. There’s the glitchy “Back to the 90s,” the exotic rhythmic excursion “Barking night” by Shinji Hosoe himself, the dreamy and warm “Summer Line #GadgetSwitch” by Nobuyoshi Sano, and a very unsettling hardcore track titled “Gemini” with weird distressing spoken segments, pumping bass, and screeching synths. The album closes with the catchy trance tune, “BLASTRAVE 2020,” by Ayako Saso. The second disc includes a non-stop megamix of the album.
It’s great to see SuperSweep publishing some of their original works, and inviting friends both known and lesser-known to the party. If you’re looking for a hip electronic music album, you can import Blastrave Compilation -Burst Rave- on CD Japan.
While I’ve never had the pleasure of playing Lord of Vermilion, I have been on top of their multiple soundtrack releases. The series itself is interesting in that it’s an arcade card-based title with some beautiful artwork from a number of contributing artists, and likewise, the music has been handled by a number of composers, with Nobuo Uematsu on the first game, Hitoshi Sakimoto and Basiscape on the second, and now electronic artist Tachytelic on the third.
I can’t say I know a whole lot about Tachytelic, but if you’re a fan of electronic music, dubstep, and electronic-orchestral hybrids, this album may be for you. The opening theme is the original by Uematsu redone with a trip-hop drum beat, exotic vocals, and dubstep stylings. A few of my favorites include “Elder Tower” which combines dubstep elements and epic fantasy orchestral with a cool ascending brass and string melody, “Red String Break,” which sports ominous pads and break beats on top of some lovely string work, and the trailer-esque “Over the Pride,” with its slow build and intense climax. “ANGER Z E N N O” is a heavy drum ‘n’ bass track with angry flaring synth lines that almost sound like guttural speech, “Tentacle Dread Hot Beat” (probably my favorite track) with its epic descending string line, and the cinematic tracks that include the emotional “Tear,” the spooky “Another Space,” and “Worry.” There are two ending themes that combine electronic and orchestral elements. I love the choral elements in “Red Flamers” and the killer bass and piano work in “Wind to Wind.”
In all, the Lord of Vermilion III OST offers a new sound that makes a great addition to the eclectic franchise. I’m looking forward to hearing more from Tachytelic in the future. You can grab the album from CD Japan if you’re interested.