SuperSweep is at it again, publishing obscure music that you won’t hear anywhere else. This time it’s the PlayStation Vita title, Omega Labyrinth featuring Daisuke Nakajima as the primary composer with a number of vocal anime-style themes thrown into the mix. The game itself is a challenging roguelike dungeon crawler with a story centered around the protagonist seeking out a grail in order to request a wish to increase her breast size.
In terms of the music, it follows the upbeat anime formula. The opening vocal theme, “Brave Heart,” offers sticky sweep pop rock with female vocals that are silly and energetic, followed by another vocal track that is more acoustic and folksy in nature. There’s everything here from cool ninja rock with shakuhachi and shamisen to classic J-rock with impressive guitar solos. You’ll find the usual suspects for this type of game: tense dungeons, epic boss battles with explosive rock, and a lovely sweeping orchestral pop tune to close out the game.
The album is available at CD Japan if you’re interested.
I rather enjoyed the first Final Fantasy XIV arrangement album, From Astral to Umbral, so I was pleased to see them give it another go with the amazing music from Heavensward available to draw from. It’s once again an even split between a piano collections album featuring Keiko and a rock set by THE PRIMALS.
The album opens with the piano half, starting with “Imagination,” a slow and measured track that will gently sway you to sleep. “Painted Foothills” is contemplative and sparse, featuring some lovely piano runs, while “Borderless” takes turns between subdued and more energetic sections, sporting some wonderful piano playing. “Ominous Prognostiks” is ominous as the title would suggest, with slow and more mysterious sections follows by tense explosions of sound. Both “Heroes” and “Night in the Brume” include some of my favorite thematic material from Heavensward, with the former coming as epic and the latter as tender and sweet.
The band portion begins with “Unbreakable,” complete with wailing electric guitars and a badass vibe. “Revenge Twofold” is a new track that hasn’t been released yet and is more adventurous and upbeat, while “Ubending Steel” provides classic rock stylings with guttural male vocals in a silly but effective manner. “Imagination” appears again with lots of reverb and heavy metal thunder, “Fiend” (another new track) comes as an alternative rock track with dark vocals, and “Heroes” getting some great guitar work and male choir. “Locus” features dancing piano, electronics, and male and female vocaloid, while “Oblivion (Never Let it Go Version)” comes as a surprise with acoustic guitar, glassy pads, a small string ensemble, and bag pipes. I’d love to hear an entire album in this style!
Not only are there wonderful arrangements in both piano and rock styles here, but there are new tracks not released on a dedicated soundtrack album yet. Pick the album up on CD Japan if you’re interested!