Tag Archives: Square Enix

Interviews

Artist Interview: Nami Nakagawa

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Nami Nakagawa is most famous for her vocal work on the original NieR and the Demon Slayer anime series, but we find her versatility, being able to sing in Japanese folk, pop, and even “children” vocal styles and her relentless public service as a volunteer for various causes throughout to Japan to be even bigger reasons why we love to work with her so much.

Read her full biography, credits list, and hear some sample music on her Scarlet Moon Artists page. Check below for an interview with Nami Nakagawa about her style, inspirations, and collaboration with Scarlet Moon.

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Interviews

Interview: Visions of Mana Music Team

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Visions of Mana is just weeks away! The first entry in the Mana series in quite some time, we were excited to learn about the game alongside the news that series composer Hiroki Kikuta would be returning to write a portion of the score. We now understand that the score was split three ways, with Kikuta handling cinematic music, Tsuyoshi Sekito handling action and battle music, and Ryo Yamazaki writing exploration and event music. We’ve been able to get a word in with all three composers about their history with the franchise and their experience working on Visions of Mana, including the gear they used for the score.

Click below for the full interview. Continue reading Interview: Visions of Mana Music Team →

Interviews

Interview: FINAL FANTASY VII REBIRTH Lead Composer Mitsuto Suzuki

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FINAL FANTASY VII REBIRTH is out in the wild and everyone’s taking note of the meticulous care the team has taken in re-imagining this definitive RPG. The amount of music written for the game is massive, with eight discs total for the special edition (seven for the standard edition), so when we say it took an army of talent to create it, that’s not an exaggeration.

At the helm of the score for this second installment is SQUARE ENIX composer Mitsuto Suzuki, who is no stranger to the FINAL FANTASY series, having contributed to FINAL FANTASY XIII-2, LIGHTNING RETURNS FINAL FANTASY XIII, MOBIUS FINAL FANTASY, and FINAL FANTASY VII REMAKE. Being a huge fan of his work, and loving the interview series conducted on the SQUARE ENIX MUSIC channel on YouTube, we had a few questions of our own (provided by Scarlet Moon’s Dale North) related to the direction he took, his process, and his gear.

See what Mitsuto Suzuki has to say below. Continue reading Interview: FINAL FANTASY VII REBIRTH Lead Composer Mitsuto Suzuki →

Reviews

Review: FINAL FANTASY CRYSTAL CHRONICLES Remastered Edition Original Soundtrack

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Square Enix has remastered Final Fantasy: Crystal Chronicles for the Nintendo Switch and PlayStation 4. That means a new generation of fans get to hear Kumi Tanioka’s lovely Celtic-flavored score that enchanted fans on the GameCube. Much of the music is remastered and re-recorded by a Celtic music ensemble with some new tracks by Hidenori Iwasaki and the main theme performed in English by Donna Burke (known for her work on Metal Gear Solid).

The album opens with dreamy bells that transport you to another dimension before the upbeat and adventurous “Morning Sky” comes in with vocals by Yae (the English version featuring Donna Burke) and a bagpipe solo. There’s the charming sweetness of “Today Comes to be Tomorrow,” the jovial “The Village Where it Began,” and the guitar-laden “Caravan Crossroad” to start things off. “Setting Forth” is both ominous and adventurous all at once, “Dust in a Dream World” gets a bit of mystery, and “With Three of Us…” sounds much like a children’s song. The siren-like singing of “Oaths are Forever,” the lovely waltzy folk tune in “My Maggie, My Everything,” and the all-new reflective and somber “Until That Time Comes” are all standouts. There’s rolling percussion in the epic march, “Enemy Stronghold,” the beloved moogle theme in Celtic style in “I’m a Moogle,” searing and guttural synth bass in “Burning in my Heart,” otherworldly bells and triangles in “Mag Mell,” angelic and ethereal choir pads in “Light and Shadow” and “To the Keepers of the Crystal,” and a vocal lullaby again in both Japanese and English with the gorgeous “Moonless Starry Night” are just a taste of what this soundtrack has to offer. It’s all very well done and makes for a wonderful listening experience.

It appears to have been quite an undertaking breathing new life into this already-amazing score, but Square Enix has done it. New recordings with live players, new English-language vocal themes, new compositions, and if you pick up the first-press edition, you also get a bonus disc with the original versions of all the remastered tracks. The album is available on the Square Enix North America store for those who are interested.

Reviews

Review: FINAL FANTASY BRAVE EXVIUS Original Soundtrack Vol.2

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Noriyasu Agematsu returns with the most excellent music from FINAL FANTASY BRAVE EXVIUS. The original score was a standout and even earned Agematsu the opportunity to collaborate with Ariana Grande on the game. Vol. 2 brings two more discs of orchestral RPG goodness featuring some of his teammates at Elements Garden as well.

The album begins with the super hero theme song, “Parallel Star,” which feels like a pop song without vocals. From there, we get the tragic “Point of No Return,” the spooky “Misgivings” and the militaristic “Under His Banner.” There’s a lot of variety, but it’s all amazingly well produced. There’s the uplifting orchestral theme, “Another Tale to Tale,” the beautiful and whimsical “Wisdom of Ages,” and the traditional Japanese flavors found in “MUSASABI.” Final Fantasy fans will enjoy the melancholy take on “The Prelude” with Agematsu’s “Dawn.” The bombastic “A Cinematic Clash” and the explosive rock/orchestral theme “Banish the Darkness” with strong Final Fantasy vibes and references are also standouts. “Over the Rain Clouds” is uplifting and triumphant and “The Sky’s The Limit!” sports lightning fast guitar shredding while “Allure of the Unknown” gets a crystalline carvenous sound with hints of “The Prelude.” There are Celtic influences in “Unfettered Waltz,” mystery and intrigue in the exotic “The Order of Pi,” and playful rock organ in “Chill Out.” The sweet solo piano in “Forgiveness” takes us into the final stretch with the ominous and unsettling “Split in Two,” the dance floor stylings of “The Zenith,” and epic orchestra and choir in the very awesome “I, and I Alone” closing things out. A bonus at the comes in the way of “DUEL!! (Band Exvius Version) which is a live rock performance with violin and rock organ and is a nice touch.

Overall, Agematsu follows up his original soundtrack with more amazing music. This one is actually not available on the Square Enix North America store, but can be found on Apple Music and the two-disc CD can be imported from CD Japan.

Album Information

NieR Music Concert CD -The Memories of Puppets- (SQEX-10689~90)

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Square Enix has held many NieR concerts over the years but one of the first was The Memories of Puppets tour in Japan, which I had the good fortunate to attend. It featured piano, guitar, a string quartet, and vocals by Emi Evans, J’Nique Nicole, and others. I’d previously enjoyed the Blu-ray recording, but this Tokyo Game Show-exclusive CD is the audio version of the concert featuring its intimate acoustic sound with electronic elements programmed in.

The CD kicks off with more slow and measured versions of “City Ruins” featuring J’Nique Nicole’s powerful vocals and “Amusement Park” featuring Emi Evans. “Memories of Dust” places emphasis on the guitar, giving it a strong Western film vibe, while guitar and piano team up with Emi Evans for “Peaceful Sleep,” the beautiful town theme with lovely string harmonies. “Vague Hope,” one of my favorite themes from NieR: Automata, is a piano and guitar duo with Emi’s original vocals, and is a high point on the album. “Song of the Ancients – Atonement” is a duo between Emi and J’Nique that featured lots of programmed elements in the way of drums whereas “Pascal” included a child singer and had the audience clapping along with the cheerful tune and fancy guitar work. “The Sound of the End” gets a minimalistic arrangement that is almost soothing, while “Alien Manifestation” features J’Nique Nicole, who was not the original singer, making for a nice alternate take on the theme. The string quartet shines on it own in “Mourning” while a solo piano before a foray into the original NieR Gestalt/Replicant territory stirring performances of both “Kaine” and “Ashes of Dreams.” The album closes with “Weight of the World / The End of YoRHa,” a full arrangement with programmed synths and Emi starting off before the entire audience joins in. Everyone in the room was crying by the end of it, but fortunately the audience’s wails didn’t make it onto the album.

Having attended the show and loved the Blu-ray recording, I always wanted a CD recording. Unfortunately it was an event exclusive, but the Square Enix North America store has the Blu-ray for sale and I can’t recommend it highly enough. Look for the glint of glasses on the top balcony when it shows the audience and you might just see me!

Reviews

Review: SQUARE ENIX Chill Out Arrangement Tracks – AROUND 80’s MIX

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Square Enix recently put out this wonderful lo-fi album featuring arrangements from games the company released in the ’80s, including many that don’t often get this kind of attention. The album opens with “Finale” from Final Fantasy with soothing piano, belltones and percussion, before “Rising Sun” from Seiken Densetsu jumps in with its sweet melody on some lovely electric piano. There’s a trippy reggae “Chocobo,” a Celtic-flavored “Town Theme” from the first SaGa title that would make Nobuo Uematsu proud, and the aptly-titled “Deep” from SaGa III with lots of bass and radio transmissions. “Enraged Battle” is one of my favorites, turning the battle theme from SaGa into a funky pop tune, and it’s followed by “Prologue” from SaGa with swelling orchestra and reverb-y pianos. “Sailing Ship” from Final Fantasy is a nice trip hop tune that takes some dark turns, while “Exotic Town” from SaGa III gets a smooth jazz treatment in contrast to Ryuji Sasai’s original rock stylings. There’s a crystalline “Prelude,” a sleepy piano and percussion version of “The Tranquil Earth” from SaGa II with the sounds of birds and nature, and SaGa’s “Epilogue,” which references the adventurous overworld theme. “Main Theme” from the original Final Fantasy is slow and chill and is dubbed the “clean version,” so rest assured there’s no swear words in it, while “Cornelia,” also from Final Fantasy, is even more joyous than the original with bouncy percussion and bells. The album closes with “The Royal Palace,” a mega dreamy track with layered bells and pads.

This is really an excellent album. I’ve been listening to it regularly as I go about my day. The booklet has complete credits and track-by-track commentary in Japanese and English, which is a nice touch. There’s also a sticker of the cover, which is quite lovely. Pick it up on the Square Enix North America store on listen on Spotify.

Reviews

Review: SQUARE ENIX ACOUSTIC ARRANGEMENTS

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Back in 2019, Square Enix kicked off what now looks to be a series with SQUARE ENIX ACOUSTIC ARRANGEMENTS. What’s most remarkable is that the album features arrangements from games that are not often covered, including many from the Game Boy and Super Nintendo eras. It features a small ensemble of strings, piano, guitar, and hand percussion, all packaged with a stylish cover and booklet with extensive credits and commentary for each track in Japanese.

The album opens with the measured “Legend of the Mermaids” from Romancing SaGa 2 before an intense string quartet version of “The Decisive Battle” and “Kefka” from Final Fantasy VI. “Nuclear Fusion” from Seiken Densetsu III gets an alternating romantic/energetic arrangement while “Into the Thick of It” from Secret of Mana gets a dreamy and fantastical cover. The string quartet returns for “Battle with Magus” from Chrono Trigger with an added tinge of tragedy, “The Dawn Warriors” from Final Fantasy V gets flamenco-style guitar and percussion, and “The Farenheit’s Theme Part 2” from Bahamut Lagoon is dynamic with contemplative and adventurous segments. “WARM” from LIVE-A-LIVE captures this track’s sweetness with pizzicato strings and woodwinds, “Palom & Parom” from Final Fantasy IV goes classical with strings and piano, and “The Talon” from SaGa III is a tragic and tense spin on the game’s battle theme composed by one of my all-time favorite composers, Ryuji Sasai. Closing things out is the iconic “Opening Title” from the original Romancing SaGa which is sweet, riveting, and playful, and “Devil Lord Confrontation I” from Romancing SaGa 3 with big piano, guitar, bass, and percussion, ending things with a bang.

Since the release of this album, Square Enix has released a volume dedicated to the Final Fantasy VII Remake as well. Hopefully this will be a lot-running series with more love given to music from Square Enix’s catalog we don’t get to hear often. The album can be purchased from the Square Enix North America store.

Reviews

Review: SQUARE ENIX JAZZ -FINAL FANTASY VII-

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Square Enix continues its most excellent jazz album series with a volume dedicated to Final Fantasy VII, which came just in time for the remake. It’s a classy way to relive many of the original’s most memorable melodies. The album starts with an uplifting “Opening” before a swanky and… explosive “Bombing Mission” kicks in with guitar and sax and plenty of solos. “Shinra Inc.” gets cool piano chords and bass, gritty distorted guitars, and a flurry of flute solos, while the sweet and smooth “Aerith” gets some contemplative sax across a poppy arrangement. There’s the swaying “On Our Way,” the bouncy “The Chase” with its dance-y piano work, and big brass and organ in the playful “Cait Sith.” Fan-favorite “Fight On” is piano heavy with funky bass, side sticks, and big brass, and obligatory guitar solo, while “Tifa’s Theme” is appropriately whimsical and floaty with beautiful interplay between saxophone and trumpet. The “JENOVA” arrangement is a bit of a surprise with its sweet piano work, “Cosmo Canyon” sports wailing electric guitar and gets its funk on with some unexpected excursions, and “One-Winged Angel” gets a faithful-yet-fun version with walking bass and extensive brass work. The final track, “Main Theme of FINFAL FANTASY VII” offers a smooth and warm ending to an excellent album, complete with many parting solos.

In addition to the excellent arrangements, the album comes housed in a thick cardboard jacket that opens just like a vinyl, and the CD is event printed to look like a vinyl. The booklet is thick with commentary in both English and Japanese explaining the arrangers’ takes and discussions about jazz, which is a real treat. I actually owned this album digitally before reviewing the physical edition, but I must say the physical edition has a lot to offer. While the Square Enix North America store doesn’t offer this particular version of the album, they do have the live recording released in September, and I recommend checking it out. If you want the original release that I’ve described, you can import it on CD Japan.

Reviews

Review: Final Fantasy III -Four Souls-

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Square Enix released an interesting album on vinyl dedicated to Final Fantasy III with the subtitle Four Souls. It features four new arrangements from the game and their original sound version counterparts on an A and B side, respectively, exclusively on vinyl. Fortunately the vinyl comes with an MP3 download as well. The four tracks include a lovely acoustic pop version of the overworld theme, “Eternal Wind,” with harmonica, xylophone, and acoustic guitar, a beautiful solo harp arrangement of “Elia, The Maiden of Water,” a spunky acoustic take on “Battle 2” which is really well done, and a grandiose piano arrangement of “The Crystal Tower.” It’s a nice collection of remixes of four key themes from the game. Find an unboxing video below after the jump.

If you want to pick up Final Fantasy III -Four Souls-, Square Enix offers it for $39.99 on the North America store.

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