Review: VALKYRIE ANATOMIA -THE ORIGIN- Soundtrack

It’s been quite some time since we’ve heard new Valkyrie Profile music by Motoi Sakuraba. As it turns out, he missed writing music for Square Enix’s oft neglected series, and this mobile prequel serves up 20+ tracks that offer something new along with a boost of nostalgia by revisiting some of the most popular themes from the series. Expect Sakuraba’s signature progressive rock and orchestral offerings with a distinctly somber atmosphere throughout.

Right out of the gate, the haunting opening theme sports epic choir and string swells and a hint of tragedy. This continues through much of the orchestral and rock material, including the unsettling “Behave irrationally II” with its woodwinds and bells, the descending orchestral rock in “The maze of dungeon,” and the terrifying “Emotional upset #2” with its big brass and ominous choir. One track brings in a rustic vibe with the use of a harpsichord, while another is a slow and mellow lullaby. One of my favorites is a melancholy piece featuring harp and emotionally-tinged strings that would be right at home in a Dark Souls hub area, while another standpoint, “enfant terrible,” is equally unsettling with its use of woodwinds and a bassy string section. The album closes with a continuous mix that runs for over 20 minutes, featuring quick cross-fades between tracks.

In all, I think I speak for most when I say I’m surprised but also pleased to see this music released. There are many fans of the series, and even though this is a small offering of new material to satiate that Valkyrie Profile music itch, what’s here is quite good. Unfortunately, it’s not widely available at this time (it was released at the Tokyo Game Show store in September), so hopefully Square Enix offers a wide release in the near future.

Review: WORLD OF FINAL FANTASY Original Soundtrack

I haven’t been keeping close tabs on World of Final Fantasy as a game, but I have been greatly looking forward to the soundtrack, particularly after learning Final Fantasy XIII composer Masashi Hamauzu would be at the helm and after hearing the samples from the Tokyo Game Show sampler this year. The album doesn’t disappoint. There are wonderful melodies throughout, fantastic arrangements of songs from across the Final Fantasy series, and great production values.

It’s hard to call out just a handful of songs, but I’ll do my best here. The opening theme, “Innocent²,” is a beautiful vocal ballad with strong Celtic and pop vibes, reminding me of the infectiously upbeat Genki Rockets. It’s actually by Ryo Yamazaki, and it’s incredibly well done. “World of Beauty,” one of my favorite tracks, sports swelling strings and contemplative piano before moving into a triumphant and uplifting section that screams adventure. There’s Hamauzu’s signature strings and piano throughout with the playful “Lann’s Melody,” the glitchy futuristic electronic track “World of Nine Wood Hills” which sounds like an IMERUAT song complete with vocals presumably by Mina, and an upbeat orchestral rock tune with chugging bass and dancing piano called “World of Battle” which was previewed on the aforementioned TGS sampler. Other favorites include the dreamy lullaby, “Refreshing Melody,” the mesmerizing “Labyrinth of Dragons” with its repetitive layers, twirling piano, and Mina’s voice once again, the slow night variation of the main theme, “Moonlight Melody,” the tense espionage music in “Confrontation Melody,” the upbeat and folksy “World of Sunshine,” the spooky and ethereal “Labyrinth of Trees,” and the closing vocal track, “World Parade.”

And those arrangements I mentioned? They’re many in number, and some of my favorites include “Snow -F,” a very contemplative and slowed down version of the iconic Final Fantasy XIII theme, a lovely regal strings and harpsichord version of “Castle Cornelia” and a killer rock performance of “The Scene of Battle” from the original Final Fantasy, a super hero version of “Edgar” from Final Fantasy VI with rockin’ guitar, string stabs, and big brass, “Don’t be Afraid” from Final Fantasy VIII with a heavy electronic bass and surfer rock guitar, and “The Sending” from Final Fantasy X with its Japanese instrumentation worked in with glitchy electronics.

In all, this is one of the best Final Fantasy albums I’ve heard in some time. Hamauzu and team have done a wonderful job with the original tunes and the arrangements alike. I could even go for some arrangements of the original themes! Piano Collections, anyone?

Pick it up at CD Japan if you’re interested.