We’ve covered a lot of Final Fantasy XIV music here over the years. Each release adds a mountain of new music to the game, and as always, it’s very high quality stuff courtesy of composer Masayoshi Soken. THE FAR EDGE OF FATE comes packed on a Blu-ray disc with tagged MP3 files of the album’s 50 new tracks included. There are also many references to unexpected pieces through Final Fantasy’s storied past that series fans will enjoy.
I can’t touch on all 50 tracks, but some of my favorites include “Down the Up Staircase” withs its sweet harpsichord and swaying strings, “Dancing Calcabrina” from Final Fantasy IV with deep acoustic bass and circus-like synth work, and “Metal – Brute Justice Mode” which comes as a super hero rock/orchestral track with big brass and robotic vocals. There’s the militaristic and decisive march, “Faith in her Fury,” a reprise of the Heavensward theme with the epic and huge “Revenge of the Horde,” and the dreamy trance track “Blackbosom.” The jingly-jangly “No Sound, No Scutter” adds metallic percussion and kazoo to the mix, “The Kiss” is playful with its toy percussion and sweet woodwinds and pizzicato strings, and “Starved” brings grunge rock with electronic whirs in a very cool combination. “The Ancient City” is a somber piano concerto, “Holy Consult” sounds channels its inner Western flick, and “Teardrops in the Rain” sports constant movement and mystery with Final Fantasy IX references. The throwbacks continue with the ominous organ track, “Promises” and “Shadow of the Body,” both of which draw from Final Fantasy IX, and “Battle tot he Death,” a new spin on the Atma weapon battle from Final Fantasy VI. “Rise” sounds like something out of The World Ends With You with its male rapping and hip hop sounds, while “Penultimania” features a dizzying rolling chip line with spacious strings. The album closes with the James Bond-esque “Scale and Steel” with big strings and brass and a heavy sense of intrigue.
In all, Soken does another wonderful job. I’ll be looking forward to his next release. THE FAR EDGE OF FATE available on CD Japan if you’re interested.
For every fantasy, there must be a piano collections album. Final Fantasy XV kind of got two, a mini album that was distributed with the limited edition of the original soundtrack, and this standalone disc featuring ten key tracks from the game done up in solo piano style. I particularly enjoy the artsy track titles.
The album opens with the somber “Dreaming of Dawn -Somnus-,” which is slow, deliberate, and emotional, capturing the spirit of the original and acting as a perfect theme for the game. The popular “Waltzing Among Moonbeams -Valse di Fantastica-” is an elegant, upbeat, and full arrangement that takes a more energetic and adventurous direction towards the end. The battle theme, “Illusions of the Morn -Stand Your Ground-,” also gets a full arrangement with lots of variety, including a nice section where the bass drops out creating a neat effect and some nice “Prelude” runs. Another battle theme, and a personal favorite, “Veiled in Black,” is much more ominous than the original and features some beautiful runs and fluttering notes over the top of the main melody that are a nice touch. The swashbuckling “APOCALYPSIS NOCTIC” also nails the vibe of the original track (defiant, epic) with just a piano, which is a remarkable feat given the energy of the original track.
Fans were rightfully excited to see the announcement of a two-disc arrangement and unreleased tracks album for the award-winning NieR: Automata soundtrack. The first disc of the set includes the arranged tracks, while the second hosts the unreleased tracks.
While many of the arrangers aren’t well-known names, the arrangements themselves are fantastic. There’s the glitchy EDM-style “City Ruins” by AJURIKA which is lively but still chill, a soothing acoustic guitar take on “Peaceful Sleep” by Cheng Bi Meets Masato Ishinari, and a mellow and more mysterious re-recorded version of “Amusement Park” by arai tasuku feat. momocashew. “End of the Unknown” by ATOLS gets epic orchestral and then electronic synths in a spacey and cool arrangement, “Pascal” by Ryu Kawamura takes on a completely different vibe with its trippy synths and jazz breakdown, and “Copied City” by LITE is an acoustic rock version that I found highly enjoyable. There’s live pipe organ for “Mourning,” wonderful strings and accordion with a folksy vibe for “Song of the Ancients” by Jun Hayakawa with Atsuki Yoshida (EMO Quartet), and my favorite track, “Emil” by Morrigan & Lily with female vocal harmonies blended into a choir and an epic orchestral backing, reminding a bit of E.S. Posthumus. Rounding out the arrangements are an interesting blend of shamisen, brass, and flamenco guitar for “Alien Manifestation” and a gentle male vocal pop version of “Weight of the World.”
I think most fans will be disappointed with the unreleased tracks as they’re mainly robot voice snippets placed over existing songs from the soundtrack, including “This cannot continue” to “Birth of a Wish.” The biggest standout is the CEO duet of “Birth of a Wish,” which is masterfully done. Sato and Matsuda voice snippets are placed rhythmically into the track, creating a lot of fun and laughs.
Don’t let the obscurity of the arrangers or the lack of true unreleased tracks keep you away, though. The arrangements are quite excellent, especially “Copied City,” “Mourning,” and “Emil.” You can pick it up on CD Japan if you’re interested!
NieR is some of the greatest game music of all time. So fans were rightfully excited that Square Enix was releasing the soundtracks in vinyl format. There are two releases, one for NieR Gestalt & Replicant, and one for NieR: Automata. Then there’s the combination box set which we got our hands on here. The packaging is as exquisite as the music, so fans will want to keep an eye out on the Square Enix North American merchandise store and sign up for the waiting list on these. The box set is reasonably priced at $79.99 with the individual releases coming in at $42.99.