Tag Archives: Orchestral

Album Information

Battle Champs Original Soundtrack (BSPE-1231)

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Battle Champs is the English title for Cygames’s Little Noah, a new mobile RPG centered around leveling up your champ, building a base, and defeating your opponents. Hitoshi Sakimoto has taken up music duties, providing the iconic high fantasy sound he has become known for, and Basiscape Records has released the soundtrack on digital platforms. What sets Battle Champs apart in the context of Sakimoto’s past works are its playful nature and ethnic flair, which fits nicely with its vibrant visual style. Even the battle themes are upbeat and playful!

Right from the whimsical bells and harp and sweeping strings of “Introducing: Battle Champs,” you know that you’re hearing the music of Hitoshi Sakimoto. Listeners can consider “The Airship” to be a key theme, always contemplative, but growing more mature in its arrangement over the course of “Level 1,” “Level 2,” and “Level 3.” The battle themes also stand out for not being your typical RPG battle theme… instead, they are energetic and fun, sporting exotic instrumentation and percussion as in “Destroy it All!,” and my favorite track, “Now, Everybody!” with its ascending build and high-energy percussion. Your typical RPG trappings do appear with the adventurous rolling march, “Guild Battle,” the uplifting fanfare, “Now That’s What I Call a Victory!,” the epic and tumultuous “Winborne Dragon,” the stirring and emotional “Ooh, I Can’t Believe It!,” the solemn and deliberate, “Let’s Talk Strategy,” and the melancholy and somber “Oof, Ouch… Pull it Together!” The album ends with a series of moodier tracks, touching on everything from lumbering danger and outright terror to a searing desert theme to close things out.

If you want to hear Hitoshi Sakimoto’s latest, check out the Battle Champs Original Soundtrack on iTunes.

Album Information

Wizardry Variants Daphne Original Soundtrack (BSPE-1229~30)

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Hitoshi Sakimoto is once again contributing to the biggest RPG franchises across the industry. While not a total stranger to Wizardry, having contributed to Wizardry Gaiden: Prisoners of the Battles and Wizardry Gaiden: Five Ordeals, Wizardry Variants Daphne is his first full Wizardry score. While many fans knowhis signature fantasy orchestral sound, he actually got his start doing electronic music, and this time he is able to blend both sides seamlessly to create some really cool soundscapes, with key themes and stingers weaved throughout to tell the game’s story through sound. The two-disc collection with English and Japanese track titles, Japanese commentary, and images from the game is certainly worth your attention.

As to the music, expect dark and foreboding soundscapes. Sweeping strings, but with guttural electronic bass swells. Live folk instruments, but with crystalline synth pads. It’s a great combination of styles with a number of surprising moments. Key themes include the somber opener, “Distant Memories,” which will have Sakimoto fans feeling right at home, and the pop-infused main theme that features throughout in “Wizardry Variants Daphne.” Electronic elements are highlighted in different ways across tracks such as the otherworldly “Tales of the Abyss,” the growly “Inhuman,” and the distant and menacing “Port of Amnesia.” The orchestral/instrumental side is emphasized with the regal “Royal Capital Luknaia,” the spunky “Adventurer’s Guild,” the inspirational “Battle Cry,” the spectacular organ piece “Beginning Abyss,” the melancholy “Endless Rain,” and the folksy and somber “A Day in a Castle Town.” The two sides come together closely in “A Life for a Life,” an intense hybrid with synth arpeggios and explosive brass, “Great Calamity,” a chaotic and epic final battle theme, and “Final Destination,” a sci-fi theme with glistening synths and fantastic strings. Moods range from desolate, desperate, reflective, and downright terrifying to triumphant and adventurous. It’s really a fun listening experience.

Those who are interested can import the Wizardry Variants Daphne soundtrack from CD Japan or stream it on Apple Music.

Interviews

Artist Interview: Yuko Komiyama

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Yuko Komiyama is a composer with style! Fans know her work across the Monster Hunter series, but she’s also contributed to the Mega Man X, FINAL FANTASY, and Contra series, and to brands ranging from Disney to Pokémon.

Read her full biography, credits list, and hear some sample music on her Scarlet Moon Artists page. Check below for an interview with Yuko Komiyama about her style, inspirations, and collaboration with Scarlet Moon.

Continue reading Artist Interview: Yuko Komiyama →
Album Information

Unicorn Overlord Original Soundtrack and Acoustic Arrange Album

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Basiscape teams up with Vanillaware and Atlus once again, scoring the beautiful RPG adventure Unicorn Overlord. Featuring loads of fantasy music that Hitoshi Sakimoto and the Basiscape team are best known for, the Original Soundtrack totals four discs of music, and there are separate arrange albums in the form of the widely available Acoustic Arrange Album as well as a collection of 16-bit arrangements that came packaged in with the Monarch Edition of the game.

Let’s dive in and see what the Original Soundtrack and Acoustic Arrange albums have to offer.

Continue reading Unicorn Overlord Original Soundtrack and Acoustic Arrange Album →
Interviews

Interview: Visions of Mana Music Team

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Visions of Mana is just weeks away! The first entry in the Mana series in quite some time, we were excited to learn about the game alongside the news that series composer Hiroki Kikuta would be returning to write a portion of the score. We now understand that the score was split three ways, with Kikuta handling cinematic music, Tsuyoshi Sekito handling action and battle music, and Ryo Yamazaki writing exploration and event music. We’ve been able to get a word in with all three composers about their history with the franchise and their experience working on Visions of Mana, including the gear they used for the score.

Click below for the full interview. Continue reading Interview: Visions of Mana Music Team →

Reviews

Review: Tree of Savior – Splash August 2020 OST Collection

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We’re nearing the end of our journey through the Tree of Savior add-on digital soundtracks. “Splash August 2020” is appropriately upbeat and poppy, making for great summer vibes. Catch the rest of our Tree of Savior reviews here.

This collection features almost exclusively S.F.A minus two tracks, and the total run-time is about an hour. The album opens with party-like “Samba de Seoul” with the sound of ocean waves kicking things off, followed by the entrancing and dreamy vocals of “Pristine EDM mixed,” the uplifting funk rock in “Vent,” and the emotional and contemplative “Pintura Cueva.” “Fiesta Bloom” offers uplifting and pop-infused trance, “The Wisdom of Crowds” goes disco, and “Sweet Poison” (by soundTemP) is a pumping electronic track. There’s electronic chip orchestra with Baroque harpsichord and strings with “Homage to Zborovye,” decisive and epic orchestral with “Avoidance,” Hollywood western in “In My Dreams,” and the sound of birds and waves in the island-flavored “Summer Breeze” to close things out.

This is a nice assortment of tunes that can be heard on YouTube and Steam.

Reviews

Review: Tree of Savior – Silent JULY 2020 OST Collection

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This time we take a look at the “Silent” July 2020 soundtrack release for Tree of Savior. Fortunately it’s not silent, although it is a lot more mellow than other releases. You can catch up with all the Tree of Savior reviews here.

The album opens with acoustic guitar and male operatic vocals in “Deives Velliava” before moving on to the aptly titled “Sad feelings” with somber strings and piano, the powerful and moving “Snow Hill,” and the reflective “Beautiful Than Flowers.” There’s a lovely music box track with “DayDream,” the contemplative and frosty “Consistency,” the somber-yet-hip “Eclipsed Road,” the sweeping “Orsha,” and the more pop-flavored “Amaranto.” “Milden Miles” adds dancy piano to melancholy strings, “Journey in Heaven” sports angelic choir and funky bass, “November Rain” comes as a relaxing flamenco style track, and “Tiger Cherish” is a powerful and lovely English ballad.

In all, the “Silent” collection differentiates itself quite nicely and is available on YouTube and Steam.

Reviews

Review: Tree of Savior – Nostalgic September 2020 OST Collection

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Onward to the “Nostalgic” September 2020 music collection from Tree of Savior. This volume features S.F.A artists, Initium, and more soundTemP. You can catch up on all the Tree of Savior soundtrack reviews here.

Perhaps the “nostalgia” in this collections’ title comes from the sort of classic South Korean MMORPG soundtrack that hearkens back to the Vol.1 release, replete with vocals throughout, opening with the amazing opener, “iKURU,” a lovely and warm J-rock track. It’s then onto more grandiose orchestral rock with “Dienos Advento,” the decisive vocal ballad “Through the Forest,” and the beautiful and dark “Guillotina Tristeza,” all with female vocals. There’s the desperate “La Patria,” the funky “The Dignity of Wrath” and “Bodacious definition,” and the sweeping and emotional “Massivity.” The team goes huge with “Vaste Terre,” an orchestral rock track, while “Signs of Penance” goes full electronic, “Even Horizon” gets an adventurous orchestral sound, and “Uno Impetus” is a catchy Megadeth-like tune. SoundTeMP’s lone contribution, “World is Missing You,” is soothing and beautiful with sweetly strummed acoustic guitar and, let’s say, nostalgic woodwinds. The album closes with “Deives Veliava,” a big female vocal performance over piano and strings.

The Nostalgic September 2020 collection is available on Steam.

Interviews

Interview: Career Retrospective with Osamu Kubota

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[EDITOR’S NOTE: We’ve been fortunate to have been in touch with game music enthusiast Michael Kobzik about interviews conducted with videogame composers, and have agreed to partner to publish them on the Scarlet Moon blog. What better way to start than with an extensive interview looking at Scarlet Moon Artists composer Osamu Kubtota’s storied career! Enjoy. – Jayson]

Osamu Kubota is a legendary composer with a long, storied career. He’s most famous for his work in Konami’s BEMANI sound division, though his career before and after is similarly impressive. We found some time to speak with Osamu Kubota about his long career and recent work.

Continue reading Interview: Career Retrospective with Osamu Kubota →

Album Information

ACE COMBAT 7: SKIES UNKNOWN ORIGINAL SOUNDTRACK (SRIN-1162)

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Ace Combat series fans probably found a lot to like with Ace Combat 7. Early in the pandemic, I played through Ace Combat 4, 5, 6, and Zero at the behest of our graphic designer, Connary Fagen. I fell in love with the storytelling, gameplay, and music. I knew I wanted to play through Ace Combat 7 and listened through this six-disc soundtrack release several times before finally doing so, and it is an incredible game and soundtrack.

SuperSweep Records serves up the rock-infused heavy-hitting orchestral soundtrack headed up by series veteran Keiki Kobayashi, alongside DLC and other promotional music to create an expansive and complete package. It comes housed in a study cardboard sleeve with three jewel cases containing booklet text with commentary from each composer in Japanese as well as track and artist breakdowns in English. The design work throughout is impeccable.

And the music? Ace Combat 7 gets a riveting new theme by Kobayashi that is weaved throughout the score in interesting and delightful ways. The album follows the sequence of cutscenes and gameplay with all the ups and downs and drama in tow. Some personal favorites include the twangy guitar and bongo-laden “Dual Wielder,” the driving string stabs, slap bass, and big brass in “Long Day,” my absolute favorite, “Magic Spear I,” with chugging bass, wailing electric guitar, big brass stabs, and rock percussion, the tragically beautiful “Battle for Farbanti,” and epic conclusion, “Lighthouse.” The VR missions are remakes of missions from Ace Combat 4 and the arranged music is incredible, with remixes of “Sitting Duck,” “Tango Line,” and “Blockade,” all of which are a real treat to hear.

The Ace Combat 7: Skies Unknown Original Soundtrack is still available to import from CD Japan and is an incredible collection of music.